One day in the office of the newspaper I found, while preparing for the next issue, a notice (in, I think, The Voice of Moscow) referring to the scenario of a ballet, “The Struggle of the Magicians,” which belonged, as it said, to a certain “Hindu.” The action of the ballet was to take place in India and give a complete picture of Oriental MAGIC including fakir miracles, sacred dances, and so on. I did not like the excessively jaunty tone of the paragraph, but as Hindu writers of ballet scenarios were, to a certain extent, rare in Moscow, I cut it out and put it into my paper, with the slight addition that there would be everything in the ballet that cannot be found in real India but which travelers go there to see. Fragments: One

“There is another question that interests me very much,” I said. “There are substances which yogis take to induce certain states. Might these not be, in certain cases, narcotics? I have myself carried out a number of experiments in this direction and everything I have read about MAGIC proves to me quite clearly that all schools at all times and in all countries have made a very wide use of narcotics for the creation of those states which make ‘MAGIC’ possible.” Fragments: One

On another occasion we were talking of Buddhism in Ceylon. I expressed the opinion that Buddhists must have MAGIC, the existence of which they do not acknowledge, and the possibility of which is denied in official Buddhism. Entirely without connection with this remark, and while, I think, I was showing my photographs to G., I spoke about a small shrine in a private house in Colombo in which there was, as usual, a statue of Buddha, and at the foot of the Buddha a small, bell-shaped ivory dagoba, that is, a small carved replica of a dagoba, hollow inside. They opened this in my presence and showed me something inside it that was regarded as a relic — a small round ball the size of a large shot, carved, as I thought, out of ivory or mother-of-pearl. Fragments: Three

“Yes,” said G., “that is one meaning of the expression, but I am speaking of another meaning. This necklace of bones which encircles the neck beneath the skin is directly connected with what is called the ‘astral body.’ The ‘astral body’ is, so to speak, attached to it, or, to be more accurate, this ‘necklace’ connects the physical body to the astral. Now if the ‘astral body’ continues to live after the death of the physical body, the person possessing a bone of this ‘necklace’ can always communicate with the ‘astral body’ of the dead man. This is MAGIC. But they never speak of it openly. You are right about their having MAGIC and this is an instance of it. It does not follow, of course, that the bone you saw was a real one. You will find these bones in almost every house; but I am telling you of the belief which lies at the bottom of this custom.” Fragments: Three

“All that has been said up till now refers to real groups connected with real concrete work which in its turn is connected with what has been called the ‘fourth way.’ But there are many imitation ways, imitation groups, and imitation work. These are not even ‘black MAGIC.’ Fragments: Eleven

“Questions have often been asked at these lectures as to what is ‘black MAGIC’ and I have replied that there is neither red, green, nor yellow MAGIC. There is mechanics, that is, what ‘happens,’ and there is ‘doing.’ ‘Doing’ is MAGIC and ‘doing’ can be only of one kind. There cannot be two kinds of ‘doing.’ But there can be a falsification, an imitation of the outward appearance of ‘doing,’ which cannot give any objective results but which can deceive naive people and produce in them faith, infatuation, enthusiasm, and even fanaticism. Fragments: Eleven

“This is why in true work, that is, in true ‘doing,’ the producing of infatuation in people is not allowed. What you call black MAGIC is based on infatuation and on playing upon human weaknesses. Black MAGIC does not in any way mean MAGIC of evil. I have already said earlier that no one ever does anything for the sake of evil, in the interests of evil. Everyone always does everything in the interests of good as he understands it. In the same way it is quite wrong to assert that black MAGIC must necessarily be egoistical, that in black MAGIC a man strives after some results for himself. This is quite wrong. Black MAGIC may be quite altruistic, may strive after the good of humanity or after the salvation of humanity from real or imaginary evils. But what can be called black MAGIC has always one definite characteristic. This characteristic is the tendency to use people for some, even the best of aims, without their knowledge and understanding, either by producing in them faith and infatuation or by acting upon them through fear. Fragments: Eleven

“But it must be remembered in this connection that a ‘black MAGICian,’ whether good or evil, has at all events been at a school. He has learned something, has heard something, knows something. He is simply a ‘half-educated man’ who has either been turned out of a school or who has himself left a school having decided that he already knows enough, that he does not want to be in subordination any longer, and that he can work independently and even direct the work of others. All ‘work’ of this kind can produce only subjective results, that is to say, it can only increase deception and increase sleep instead of decreasing them. Nevertheless something can be learned from a ‘black MAGICian’ although in the wrong way. He can sometimes by accident even tell the truth. That is why I say that there are many things worse than ‘black MAGIC.’ Such are various ‘occult’ and theosophical societies and groups. Not only have their teachers never been at a school but they have never even met anyone who has been near a school. Their work simply consists in aping. But imitation work of this kind gives a great deal of self-satisfaction. One man feels himself to be a ‘teacher,’ others feel that they are ‘pupils,’ and everyone is satisfied. No realization of one’s nothingness can be got here and if people affirm that they have it, it is all illusion and self-deception, if not plain deceit. On the contrary, instead of realizing their own nothingness the members of such circles acquire a realization of their own importance and a growth of false personality. Fragments: Eleven

“But this is a kind of black MAGIC,” said one of us. “Worse,” said G. “Wait and you will see worse than that” Fragments: Twelve

Only two people dropped off who, exactly as though through some kind of MAGIC as it seemed to us, suddenly ceased to understand anything and saw in everything that G. said misunderstanding on his part, and, on the part of the rest, a lack of, sympathy and feeling. Fragments: Thirteen

“Then there exists also a symbology of MAGIC, a symbology of alchemy, and a symbology of astrology as well as the system of the symbols of the Tarot which unites them into one whole. Fragments: Fourteen

“Each one of these systems can serve as a means for transmitting the idea of unity. But in the hands of the incompetent and the ignorant, however full of good intentions, the same symbol becomes an ‘instrument of delusion.’ The reason for this consists in the fact that a symbol can never be taken in a final and definite meaning. In expressing the laws of the unity of endless diversity a symbol itself possesses an endless number of aspects from which it can be examined and it demands from a man approaching it the ability to see it simultaneously from different points of view. Symbols which are transposed into the words of ordinary language become rigid in them, they grow dim and very easily become ‘their own opposites,’ confining the meaning within narrow dogmatic frames, without giving it even the very relative freedom of a logical examination of a subject. The cause of this is in the literal understanding of symbols, in attributing to a symbol a single meaning. The truth is again veiled by an outer covering of lies and to discover it requires immense efforts of negation in which the idea of the symbol itself is lost. It is well known what delusions have arisen from the symbols of religion, of alchemy, and par­ticularly of MAGIC, in those who have taken them literally and only in one meaning. Fragments: Fourteen

“Generally speaking we know very little about Christianity and the form of Christian worship; we know nothing at all of the history and origin of a number of things. For instance, the church, the temple in which gather the faithful and in which services are carried out according to special rites; where was this taken from? Many people do not think about this at all. Many people think that the outward form of worship, the rites, the singing of canticles, and so on, were invented by the fathers of the church. Others think that this outward form has been taken partly from pagan religions and partly from the Hebrews. But all of it is untrue. The question of the origin of the Christian church, that is, of the Christian temple, is much more interesting than we think. To begin with, the church and worship in the form which they took in the first centuries of Christianity could not have been borrowed from paganism because there was nothing like it either in the Greek or Roman cults or in Judaism. The Jewish synagogue, the Jewish temple, Greek and Roman temples of various gods, were something quite different from the Christian church which made its appearance in the first and second centuries. The Christian church is — a school concerning which people have forgotten that it is a school. Imagine a school where the teachers give lectures and perform explanatory demonstrations without knowing that these are lectures and demonstrations; and where the pupils or simply the people who come to the school take these lectures and demonstrations for ceremonies, or rites, or ‘sacraments,’ i.e., MAGIC. This would approximate to the Christian church of our times. Fragments: Fifteen