“Fusion, inner UNITY, is obtained by means of ‘friction,’ by the struggle between ‘yes’ and ‘no’ in man. If a man lives without inner struggle, if everything happens in him without opposition, if he goes wherever he is drawn or wherever the wind blows, he will remain such as he is. But if a struggle begins in him, and particularly if there is a definite line in this struggle, then, gradually, permanent traits begin to form themselves, he begins to ‘crystallize.’ But crystallization is possible on a right founda-tion and it is possible on a wrong foundation. ‘Friction,’ the struggle between ‘yes’ and ‘no,’ can easily take place on a wrong foundation. For instance, a fanatical belief in some or other idea, or the ‘fear of sin,’ can evoke a terribly intense struggle between ‘yes’ and ‘no,’ and a man may crystallize on these foundations. But this would be a wrong, incomplete crystallization. Such a man will not possess the possibility of further development. In order to make further development possible he must be melted down again, and this can be accomplished only through terrible suffering. Fragments: Two

“Immortality is one of the qualities we ascribe to people without having a sufficient understanding of their meaning,” said G. “Other qualities of this kind are ‘individuality,’ in the sense of an inner UNITY, a ‘permanent and unchangeable I,’ ‘consciousness,’ and ‘will.’ All these qualities can belong to man” (he emphasized the word “can”), “but this certainly does not mean that they do belong to him or belong to each and every one. Fragments: Two

“The second way is the way of the monk. This is the way of faith, the way of religious feeling, religious sacrifice. Only a man with very strong religious emotions and a very strong religious imagination can become a ‘monk’ in the true sense of the word. The way of the monk also is very long and hard. A monk spends years and tens of years struggling with himself, but all his work is concentrated on the second room, on the second body, that is, on feelings. Subjecting all his other emotions to one emotion, that is, to faith, he develops UNITY in himself, will over the emotions, and in this way reaches the fourth room. But his physical body and his thinking capacities may remain undeveloped. In order to be able to make use of what he has attained, he must develop his body and his capacity to think. This can only be achieved by means of fresh sacrifices, fresh hardships, fresh renunciations. A monk has to become a yogi and a fakir. Very few get as far as this; even fewer overcome all difficulties. Most of them either die before this or become monks in outward appearance only. Fragments: Two

BY THE beginning of November, 1915, I already had a grasp of some of the fundamental points of G.’s system in relation to man. The first point, on which he laid stress, was the absence of UNITY in man. Fragments: Three

These explanations, and all the talks connected with them, took a fairly long time, while at almost every talk we returned to the fundamental ideas of man’s mechanicalness, of the absence of UNITY in man, of man’s -having no choice, of his being unable to do, and so on. There is no possibility of giving all these talks in the way they actually took place. For this reason I collected all the psychological and all the cosmological material in two separate series of lectures. Fragments: Three

Very often, almost at every talk, G. returned to the absence of UNITY in man. Fragments: Three

“Taken in itself, a man’s being has many different sides. The most characteristic feature of a modem man is the absence of UNITY in him and, further, the absence in him of even traces of those properties which he most likes to ascribe to himself, that is, ‘lucid consciousness,’ ‘free will,’ a ‘permanent ego or I,’ and the ‘ability to do.’ It may surprise you if I say that the chief feature of a modem man’s being which explains everything else that is lacking in him is sleep. Fragments: Four

“Man number five is also for us an unattainable standard of man, for it is a man who has reached UNITY. Fragments: Four

“Before examining these influences,” began G., “and the laws of transformation of Unity into Plurality, we must examine the fundamental law that creates all phenomena in all the diversity or UNITY of all universes. Fragments: Four

“The idea of the UNITY of the three forces in the Absolute forms the basis of many ancient teachings — consubstantial and indivisible Trinity, Trimurti — Brahma, Vishnu, and Siva, and so on. Fragments: Four

“This parallel study of the world and of man shows the student the fundamental UNITY of everything and helps him to find analogies in phenomena of different orders. Fragments: Seven

“In the big cosmic octave, which reaches us in the form of the ray of creation, we can see the first complete example of the law of octaves. The ray of creation begins with the Absolute. The Absolute is the All. The All, possessing full UNITY, full will, and full consciousness, creates worlds within itself, in this way beginning the descending world octave. The Absolute is the do of this octave. The worlds which the Absolute creates in itself are si. The ‘interval’ between do and si in this case is filled by the will of the Absolute. The process of creation is developed further by the force of the original impulse and an ‘additional shock.’ Si passes into la which for us is our star world, the Milky Way. La passes into sol — our sun, the solar system. Sol passes into fa — the planetary world. And here between the planetary world as a whole and our earth occurs an ‘interval.’ This means that the planetary radiations carrying various influences to the earth are not able to reach it, or, to speak more correctly, they are not received, the earth reflects them. In order to fill the ‘interval’ at this point of the ray of creation a special apparatus is created for receiving and transmitting the influences coming from the planets. This apparatus is organic life on earth. Organic life transmits to the earth all the influences intended for it and makes possible the further development and growth of the earth, mi of the cosmic octave, and then of the moon or re, after which follows another do — Nothing. Between All and Nothing passes the ray of creation. Fragments: Seven

“But conscience is the fire which alone can fuse all the powders in the glass retort which was mentioned before and create the UNITY which a man lacks in that state in which he begins to study himself. Fragments: Eight

“They do,” said G., “only this is very far away from us and it is not worth your while even to try to understand this at present. Simply remember one thing. The only possible permanent idea of good and evil for man is connected with the idea of evolution; not with mechanical evolution, of course, but with the idea of man’s development through conscious efforts, the change of his being, the creation of UNITY in him, and the formation of a permanent I. Fragments: Eight

“All that has been said before about work on oneself, about the formation of inner UNITY and of the transition from the level of man number one, number two, and number three to the level of man number four and further, pursues one and the same aim. What is called according to one terminology the ‘astral body,’ is called in another terminology the ‘higher emotional center,’ although the difference here does not lie in the terminology alone. These are, to speak more correctly, different aspects of the next stage of man’s evolution. It can be said that the ‘astral body’ is necessary for the complete and proper functioning of the ‘higher emotional center’ in unison with the lower. Or it can be said that the ‘higher emotional center’ is necessary for the work of the ‘astral body.’ Fragments: Nine

At one of the following meetings, after a fairly long talk on knowledge and being, G. said: “Strictly speaking, you cannot as yet speak of knowledge because you do not know with what knowledge begins. “Knowledge begins with the teaching of the cosmoses. “You know the expressions ‘macrocosm’ and ‘microcosm.’ This means ‘large cosmos’ and ‘small cosmos,’ ‘large world’ and ‘small world.’ The universe is regarded as a ‘large cosmos’ and man as a ‘small cosmos,’ analogous to the large one. This establishes, as it were, the idea of the UNITY and the similarity of the world and man. Fragments: Ten

“One of the most central of the ideas of objective knowledge,” said G., “is the idea of the UNITY of everything, of UNITY in diversity. From ancient times people who have understood the content and the meaning of this idea, and have seen in it the basis of objective knowledge, have endeavored to find a way of transmitting this idea in a form comprehensible to others. The successive transmission of the ideas of objective knowledge has always been a part of the task of those possessing this knowledge. In such cases the idea of the UNITY of everything, as the fundamental and central idea of this knowledge, had to be transmitted first and transmitted with adequate completeness and exactitude. And to do this the idea had to be put into such forms as would insure its proper perception by others and avoid in its transmission the possibility of distortion and corruption. For this purpose the people to whom the idea was being transmitted were required to undergo a proper preparation, and the idea itself was put either into a logical form, as for instance in philosophical systems which endeavored to give a definition of the ‘fundamental principle’ or from which everything else was derived, or into religious teachings which endeavored to create an element of faith and to evoke a wave of emotion carrying people up to the level of ‘objective consciousness.’ The attempts of both the one and the other, sometimes more sometimes less successful, run through the whole history of mankind from the most ancient times up to our own time and they have taken the form of religious and philosophical creeds which have remained like monuments on the paths of these attempts to unite the thought of mankind and esoteric thought. Fragments: Fourteen

“But objective knowledge, the idea of UNITY included, belongs to objective consciousness. The forms which express this knowledge when perceived by subjective consciousness are inevitably distorted and, instead of truth, they create more and more delusions. With objective consciousness it is possible to see and feel the UNITY of everything. But for subjective consciousness the world is split up into millions of separate and unconnected phenomena. Attempts to connect these phenomena into some sort of system in a scientific or a philosophical way lead to nothing because man cannot reconstruct the idea of the whole starting from separate facts and they cannot divine the principles of the division of the whole without knowing the laws upon which this division is based. Fragments: Fourteen

“None the less the idea of the UNITY of everything exists also in intellectual thought but in its exact relation to diversity it can never be clearly expressed in words or in logical forms. There remains always the insurmountable difficulty of language. A language which has been constructed through expressing impressions of plurality and diversity in subjective states of consciousness can never transmit with sufficient completeness and clarity the idea of UNITY which is intelligible and obvious for the objective state of consciousness. Fragments: Fourteen

“Realizing the imperfection and weakness of ordinary language the people who have possessed objective knowledge have tried to express the idea of UNITY in ‘myths,’ in ‘symbols,’ and in particular ‘verbal formulas’ which, having been transmitted without alteration, have carried on the idea from one school to another, often from one epoch to another. Fragments: Fourteen

“Symbols were divided into the fundamental and the subordinate; the first included the principles of separate domains of knowledge; the second expressed the essential nature of phenomena in their relation to UNITY. Fragments: Fourteen

“In Western systems of occultism there is a method known by the name of ‘theosophical addition,’ that is, the definition of numbers consisting of two or more digits by the sum of those digits. To people who do not understand the symbolism of numbers this method of synthesizing numbers seems to be absolutely arbitrary and to lead nowhere. But for a man who understands the UNITY of everything existing and who has the key to this UNITY the method of theosophical addition has a profound meaning, for it resolves all diversity into the fundamental laws which govern it and which are expressed in the numbers 1 to 10. Fragments: Fourteen

“Each one of these systems can serve as a means for transmitting the idea of UNITY. But in the hands of the incompetent and the ignorant, however full of good intentions, the same symbol becomes an ‘instrument of delusion.’ The reason for this consists in the fact that a symbol can never be taken in a final and definite meaning. In expressing the laws of the UNITY of endless diversity a symbol itself possesses an endless number of aspects from which it can be examined and it demands from a man approaching it the ability to see it simultaneously from different points of view. Symbols which are transposed into the words of ordinary language become rigid in them, they grow dim and very easily become ‘their own opposites,’ confining the meaning within narrow dogmatic frames, without giving it even the very relative freedom of a logical examination of a subject. The cause of this is in the literal understanding of symbols, in attributing to a symbol a single meaning. The truth is again veiled by an outer covering of lies and to discover it requires immense efforts of negation in which the idea of the symbol itself is lost. It is well known what delusions have arisen from the symbols of religion, of alchemy, and par-ticularly of magic, in those who have taken them literally and only in one meaning. Fragments: Fourteen

“And in this sense it is possible to speak of the symbolism of speech although this symbolism is not understood by everyone. To understand the inner meaning of what is said is possible only on a certain level of development and when accompanied by the corresponding efforts and state of the listener. But on hearing things which are new for him, instead of making efforts to understand them, a man begins to dispute them, or refute them, maintaining against them an opinion which he considers to be right and which as a rule has no relation whatever to them. In this way he loses all chance of acquiring anything new. To be able to understand speech when it becomes symbolical it is essential to have learned before and to know already how to listen. Any attempt to understand literally, where speech deals with objective knowledge and with the union of diversity and UNITY, is doomed to failure beforehand and leads in most cases to further delusions. Fragments: Fourteen

“In order to understand the interrelation of these teachings it must always be remembered that the ways which lead to the cognition of UNITY approach it like the radii of a circle moving towards the center; the closer they come to the center, the closer they approach one another. Fragments: Fourteen

“Passing on to the examination of the complicated figure inside the circle we should understand the laws of its construction. The laws of UNITY are reflected in all phenomena. The decimal system is constructed on the basis of the same laws. Taking a unit as one note containing within itself a whole octave we must divide this unit into seven unequal parts in order to arrive at the seven notes of this octave. But in the graphic representation the inequality of the parts is not taken into account and for the construction of the diagram there is taken first a seventh part, then two-sevenths, then three-sevenths, four-sevenths, five-sevenths, six-sevenths, and seven-sevenths. Calculating these parts in decimals we get: 1/7=0.142857 . . . 2/7=0.285714 . . . 3/7=0.428571 . . . 4/7=0.571428 . . . 5/7=0.714285 . . . 6/7=0.857142 . . . 7/7=0.999999 . . . Fragments: Fourteen

“So you see that art is not merely a language but something much bigger. And if you connect what I have just said with what I said earlier about the different levels of man’s being, you will understand what is said about art. Mechanical humanity consists of men number one, number two, and number three and they, of course, can have subjective art only. Objective art requires at least flashes of objective consciousness; in order to understand these flashes properly and to make proper use of them a great inner UNITY is necessary and a great control of oneself.” Fragments: Fourteen

“Are we able to say that aspirations towards UNITY, towards unification, can be observed in life? Nothing of the kind of course. We only see new divisions, new hostility, new misunderstandings. Fragments: Fifteen

“The whole thing is in being ready to sacrifice one’s freedom,” said G. “A man consciously and unconsciously struggles for freedom as he imagines it and this, more than anything else, prevents him from attaining real freedom. But a man who is capable of attaining anything comes sooner or later to the conclusion that his freedom is illusion and he agrees to sacrifice this illusion. He voluntarily becomes a slave. He does what he is told, says what he is told, and thinks what he is told. He is not afraid of losing anything because he knows that he has nothing. And in this way he acquires everything. Everything in him that was real in his understanding, in his sympathies, tastes, and desires, all comes back to him accompanied by new things which he did not have and could not have had before, together with a feeling of UNITY and will within him. But to arrive at this point, a man must pass through the hard way of slavery and obedience. And if he wants results he must obey not only outwardly but inwardly. This requires a great determination, and determination requires a great understanding of the fact that there is no other way, that a man can do nothing himself, but that at the same time, something has to be done. Fragments: Seventeen