B491

B490 <=> B492 [BTG XXX Art, p. 491]

“It happened in this way because as the sounds of their melodies which they had combined in a definite sequence entered into my common presence, Djartklom proceeded in them, or as it is otherwise said, the sounds were ‘sorted out’ and acted equally upon all the three variously caused Hlodistomaticules, with the consequence that the associations proceeding in me in the three independent brains – though simultaneously and with an equal intensity of similar associations but differently natured series of impressions – engendered in my presence three quite different promptings.

“For instance, the localization of my consciousness, or as your favorites would say my ‘thinking-center,’ engendered in my common presence, let us suppose, the impulse of joy; the second localization in me, or my ‘feeling-center,’ engendered the impulse called ‘sorrow’; and the localization of the body itself, or as once again your favorites would call it, my ‘moving-center,’ engendered the impulse of ‘religiousness.’

“And it was just in these unusual impulses engendered in the beings by their musical and vocal melodies, that they indicated what they wished.

“And so, my boy, after all I have already related about this terrestrial contemporary famous art, I imagine you have enough to understand why and how, during the period of my fifth stay in person on your planet, I happened to be a witness of the events of the causes of its arising and in what connection and with what meaning it was pronounced for the first time just then at that period which your contemporary favorites call the ‘Babylonian civilization.’

“So I will now already speak about those facts there, after learning which, you will be able clearly to represent to yourself and approximately to understand how greatly the ‘logical mentation’ in all these three-brained beings who have taken your fancy must have deteriorated in so short a time that without any what is called ‘constancy-of-self-individuality’ they have submitted to be made ‘slaves’ of those few from among their midst who are called ‘wastrels,’ and who, in consequence of the total loss of the divine impulseconscience’ could for their egoistic aims create from this ‘empty word’ art which chanced to reach them, also such a ‘sure-fire-factor’ in all of them for the final atrophy of all the data that still survived in them for ‘conscious-Being.’

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