B850 <=> B852 [BTG XL Heptaparaparshinokh, p. 851]

“This merit of theirs was all the greater, because as terrestrial beings they had no true information about this and were able to make their correct suppositions and almost accurate calculations of many objective cosmic truths exclusively only thanks to their own conscious labors and intentional sufferings.

“Further, on this Lav-Merz-Nokh in each octave between these white strings or whole notes, this learned being King-Too-Toz strung in certain places five further strings, but this time painted black.

“These black strings however he named ‘Demisakhsakhsa,’ which according to the terminology of the beings of the Earth corresponded to what they call ‘half notes,’ and these ‘half-note strings’ on the Lav-Merz-Nokh were not strung between those whole notes between which, according to the indications of the saints Choon-Kil-Tez and Choon-Tro-Pel, there is according to the sacred Heptaparaparshinokh no possibility of the independence of the evolution and involution of the vibrations of sound, and these places they were the first to call ‘gaps.’ And in the given places of the octave where these gaps ought to be, this learned being King-Too-Toz strung special strings between the whole notes made of the tail-hairs of beings called there ‘horse.’

“These hair strings gave vibrations which were not always the same and King-Too-Toz named these vibrations ‘chaotic.’

“The number of the vibrations obtained from these hair strings depended not on the stretching of them, as in the case of other strings, but on other causes; chiefly on three causes ensuing from surrounding cosmic results, namely: on the action of the vibrations dispersed around them obtained from other strings of the Lav-Merz-Nokh; on the state of what is called the ‘temperature of the atmosphere’ at the given moment; and on the radiations of the beings present nearby without distinction of brain system.