“But the whole thing is: how?” he said. “It is necessary to know a great deal in order to understand that. What is war? It is the result of planetary influences. Somewhere up there two or three planets have approached too near to each other; tension results. Have you noticed how, if a man passes quite close to you on a narrow pavement, you become all tense? The same tension takes place between planets. For them it lasts, perhaps, a second or two. But here, on the earth, people begin to slaughter one another, and they go on slaughtering maybe for several years. It seems to them at the time that they hate one another; or perhaps that they have to slaughter each other for some exalted purpose; or that they must defend somebody or something and that it is a very noble thing to do; or something else of the same kind. They fail to realize to what an extent they are mere pawns in the game. They think they signify something; they think they can move about as they like; they think they can decide to do this or that. But in reality all their movements, all their actions, are the result of planetary influences. And they themselves signify literally nothing. Then the moon plays a big part in this. But we will speak about the moon separately. Only it must be understood that neither Emperor Wilhelm, nor generals, nor ministers, nor parliaments, signify anything or can do anything. Everything that happens on a big scale is governed from outside, and governed either by ACCIDENTAL combinations of influences or by general cosmic laws.” Chapter One

This was all I heard. Only much later I understood what he wished to tell me — that is, how ACCIDENTAL influences could be diverted or transformed into something relatively harmless. It was really an interesting idea referring to the esoteric meaning of “sacrifices.” But, in any case at the present time, this idea has only an historical and a psychological value. What was really important and what he said quite casually, so that I did not even notice it at once, and only remembered later in trying to reconstruct the conversation, was his words referring to the difference of time for planets and for man. Chapter One

“I do not call art all that you call art, which is simply mechanical reproduction, imitation of nature or other people, or simply fantasy, or an attempt to be original. Real art is something quite different. Among works of art, especially works of ancient art, you meet with many things you cannot explain and which contain a certain something you do not feel in modern works of art. But as you do not realize what this difference is you very soon forget it and continue to take everything as one kind of art. And yet there is an enormous difference between your art and the art of which I speak. In your art everything is subjective — the artist’s perception of this or that sensation; the forms in which he tries to express his sensations and the perception of these forms by other people. In one and the same phenomenon one artist may feel one thing and another artist quite a different thing. One and the same sunset may evoke a feeling of joy in one artist and sadness in another. Two artists may strive to express exactly the same perceptions by entirely different methods, in different forms; or entirely different perceptions in the same forms — according to how they were taught, or contrary to it. And the spectators, listeners, or readers will perceive, not what the artist wished to convey or what he felt, but what the forms in which he expresses his sensations will make them feel by association. Everything is subjective and everything is ACCIDENTAL, that is to say, based on ACCIDENTAL associations — the impres sion of the artist and his ‘creation’” (he emphasized the word “creation”), “the perceptions of the spectators, listeners, or readers. Chapter One

“In real art there is nothing ACCIDENTAL. It is mathematics. Everything in it can be calculated, everything can be known beforehand. The artist knows and understands what he wants to convey and his work cannot produce one impression on one man and another impression on another, presuming, of course, people on one level. It will always, and with mathematical certainty, produce one and the same impression. Chapter One

“Do such works of objective art exist at the present day?” I asked. “Of course they exist,” answered G. “The great Sphinx in Egypt is such a work of art, as well as some historically known works of architecture, certain statues of gods, and many other things. There are figures of gods and of various mythological beings that can be read like books, only not with the mind but with the emotions, provided they are sufficiently developed. In the course of our travels in Central Asia we found, in the desert at the foot of the Hindu Kush, a strange figure which we thought at first was some ancient god or devil. At first it produced upon us simply the impression of being a curiosity. But after a while we began to feel that this figure contained many things, a big, complete, and complex system of cosmology. And slowly, step by step, we began to decipher this system. It was in the body of the figure, in its legs, in its arms, in its head, in its eyes, in its ears; everywhere. In the whole statue there was nothing ACCIDENTAL, nothing without meaning. And gradually we understood the aim of the people who built this statue. We began to feel their thoughts, their feelings. Some of us thought that we saw their faces, heard their voices. At all events, we grasped the meaning of what they wanted to convey to us across thousands of years, and not only the meaning, but all the feelings and the emotions connected with it as well. That indeed was art!” Chapter One

A great deal I afterwards understood differently from the way I did then. And G.’s chief motives became clearer to me. He by no means wanted to make it easy for people to become acquainted with his ideas. On the contrary he considered that only by overcoming difficulties, however irrelevant and ACCIDENTAL, could people value his ideas. Chapter Two

“In the first case,” said G., “that is, in relation to the functions of a man of physical body only, the automaton depends upon external influences, and the next three functions depend upon the physical body and the external influences it receives. Desires or aversions — ‘I want,’ ‘I don’t want,’ ‘I like,’ ‘I don’t like’ — that is, functions occupying the place of the second body, depend upon ACCIDENTAL shocks and influences. Thinking, which corresponds to the functions of the third body, is an entirely mechanical process. ‘Will’ is absent in ordinary mechanical man, he has desires only; and a greater or lesser permanence of desires and wishes is called a strong or a weak will. Chapter Two

“An Eastern teaching describes the functions of the four bodies, their gradual growth, and the conditions of this growth, in the following way: “Let us imagine a vessel or a retort filled with various metallic powders. The powders are not in any way connected with each other and every ACCIDENTAL change in the position of the retort changes the relative position of the powders. If the retort be shaken or tapped with the finger, then the powder which was at the top may appear at the bottom or in the middle, while the one which was at the bottom may appear at the top. There is nothing permanent in the position of the powders and under such conditions there can be nothing permanent. This is an exact picture of our psychic life. Each succeeding moment, new influences may change die position of the powder which is on the top and put in its place another which is absolutely its opposite. Science calls this state of the powders the state of mechanical mixture. The essential characteristic of the interrelation of the powders to one another in this kind of mixture is the instability of these interrelations and their variability. Chapter Two

“The alternation of I’s, their continual obvious struggle for supremacy, is controlled by ACCIDENTAL external influences. Warmth, sunshine, fine weather, immediately call up a whole group of I’s. Cold, fog, rain, call up another group of I’s, other associations, other feelings, other actions. There is nothing in man able to control this change of I’s, chiefly because man does not notice, or know of it; he lives always in the last I. Some I’s, of course, are stronger than others. But it is not their own conscious strength; they have been created by the strength of accidents or mechanical external stimuli. Education, imitation, reading, the hypnotism of religion, caste, and traditions, or the glamour of new slogans, create very strong I’s in man’s personality, which dominate whole series of other, weaker, I’s. But their strength is the strength of the ‘rolls’ in the centers. And all I’s making up a man’s personality have the same origin as these ‘rolls’; they are the results of external influences; and both are set in motion and controlled by fresh external influences. Chapter Three

“And each separate small I is able to call itself by the name of the Whole, to act in the name of the Whole, to agree or disagree, to give promises, to make decisions, with which another I or the Whole will have to deal. This explains why people so often make decisions and so seldom carry them out. A man decides to get up early beginning from the following day. One I, or a group of I’s, decide this. But getting up is the business of another I who entirely disagrees with the decision and may even know absolutely nothing about it. Of course the man will again go on sleeping in the morning and in the evening he will again decide to get up early. In some cases this may assume very unpleasant consequences for a man. A small ACCIDENTAL I may promise something, not to itself, but to someone else at a certain moment simply out of vanity or for amusement. Then it disappears, but the man, that is, the whole combination of other I’s who are quite innocent of this, may have to pay for it all his life. It is the tragedy of the human being that any small I has the right to sign checks and promissory notes and the man, that is, the Whole, has to meet them. People’s whole lives often consist in paying off the promissory notes of small ACCIDENTAL I’s. Chapter Three

“The three forces of the Absolute, constituting one whole, separate and unite by their own will and by their own decision, and at the points of junction they create phenomena, or ‘worlds.’ These worlds, created by the will of the Absolute, depend entirely upon this will in everything that concerns their own existence. In each of these worlds the three forces again act. Since, however, each of these worlds is now not the whole, but only a part, then the three forces in them do not form a single whole. It is now a case of three wills, three consciousnesses, three unities. Each of the three forces contains within it the possibility of all three forces, but at the meeting point of the three forces each of them manifests only one principle — the active, the passive, or the neutralizing. The three forces together form a trinity which produces new phenomena. But this trinity is different, it is not that which was in the Absolute, where the three forces formed an indivisible whole and possessed one single will and one single consciousness. In the worlds of the second order the three forces are now divided and their meeting points are now of a different nature. In the Absolute the moment and the point of their meeting is determined by their single will. In the worlds of the second order, where there is no longer a single will but three wills, the points of issue are each determined by a separate will, independent of the others, and therefore the meeting point becomes ACCIDENTAL or mechanical. The will of the Absolute creates the worlds of the second order and governs them, but it does not govern their creative work, in which a mechanical element makes its appearance. Chapter Four

“If he carries out all these rules while he observes himself, a man will record a whole series of very important aspects of his being. To begin with he will record with unmistakable clearness the fact that his actions, thoughts, feelings, and words are the result of external influences and that nothing comes from himself. He will understand and see that he is in fact an automaton acting under the influences of external stimuli. He will feel his complete mechanicalness. Everything ‘happens,’ he cannot ‘do’ anything. He is a machine controlled by ACCIDENTAL shocks from outside. Each shock calls to the surface one of his I’s. A new shock and that I disappears and a different one takes its place. Another small change in the environment and again there is a new I. A man will begin to understand that he has no control of himself whatever, that he does not know what he may say or do the next moment, he will begin to understand that he cannot answer for himself even for the shortest length of time. He will understand that if he remains the same and does nothing unexpected, it is simply because no unexpected outside changes are taking place. He will understand that his actions are entirely controlled by external conditions and he will be convinced that there is nothing permanent in him from which control could come, not a single permanent function, not a single permanent state.” Chapter Six

“The greatest insult for a ‘man-machine’ is to tell him that he can do nothing, can attain nothing, that he can never move towards any aim whatever and that in striving towards one he will inevitably create another. Actually of course it cannot be otherwise. The ‘man-machine’ is in the power of accident. His activities may fall by accident into some sort of channel which has been created by cosmic or mechanical forces and they may by accident move along this channel for a certain time, giving the illusion that aims of some kind are being attained. Such ACCIDENTAL correspondence of results with the aims we have set before us or the attainment of aims in small things which can have no consequences creates in mechanical man the conviction that he is able to attain any aim, ‘is able to conquer nature’ as it is called, is able to ‘arrange the whole of his life,’ and so on. Chapter Seven

“The technical part of this is explained by the law of octaves. Octaves can develop consecutively and continuously in the desired direction if ‘additional shocks’ enter them at the moments necessary, that is, at the moments when vibrations slow down. If ‘additional shocks’ do not enter at the necessary moments octaves change their direction. To entertain hopes of ACCIDENTAL ‘shocks’ coming from somewhere by themselves at the moments necessary is of course out of the question. There remains for a man the choice either of finding a direction for his activities which corresponds to the mechanical line of events of a given moment, in other words of ‘going where the wind blows’ or ‘swimming with the stream,’ even if this contradicts his inner inclinations, convictions, and sympathies, or of reconciling himself to the failure of everything he starts out to do; or he can learn to recognize the moments of the ‘intervals’ in all lines of his activity and learn to create the ‘additional shocks,’ in other words, learn to apply to his own activities the method which cosmic forces make use of in creating ‘additional shocks’ at the moments necessary. Chapter Seven

“All great events in the life of the human masses are caused by planetary influences. They are the result of the taking in of planetary influences. Human society is a highly sensitive mass for the reception of planetary influences. And any ACCIDENTAL small tension in planetary spheres can be reflected for years in an increased animation in one or another sphere of human activity. Something ACCIDENTAL and very transient takes place in planetary space. This is immediately received by the human masses, and people begin to hate and to kill one another, justifying their actions by some theory of brotherhood, or equality, or love, or justice. Chapter Seven

But in addition to this the lateral octave showed with particular clarity how easily and correctly things were classified in the system we were studying. Everything anomalous, unexpected, and ACCIDENTAL disappeared, and an immense and strictly thought-out plan of the universe began to make its appearance. Chapter Seven

“But man does not know of the third state of consciousness or even suspect it. Nor can he suspect it because if you were to explain to him what the third state of consciousness is, that is to say, in what it consists, he would say that it was his usual state. He considers himself to be a conscious being governing his own life. Facts that contradict that, he considers to be ACCIDENTAL or temporary, which will change by themselves. By considering that he possesses self-consciousness, as it were by nature, a man will not of course try to approach or obtain it. And yet without self consciousness, or the third state, the fourth, except in rare flashes, is impossible. Knowledge, however, the real objective knowledge towards which man, as he asserts, is struggling, is possible only in the fourth state of consciousness, that is, it is conditional upon the full possession of the fourth state of consciousness. Knowledge which is acquired in the ordinary state of consciousness is intermixed with dreams. There you have a complete picture of the being of man number one, two, and three.” Chapter Eight

“The higher thinking center, working with hydrogen 6, is still further removed from us, still less accessible. Connection with it is possible only through the higher emotional center. It is only from descriptions of mystical experiences, ecstatic states, and so on, that we know cases of such connections. These states can occur on the basis of religious emotions, or, for short moments, through particular narcotics; or in certain pathological states such as epileptic fits or ACCIDENTAL traumatic injuries to the brain, in which cases it is difficult to say which is the cause and which is the effect, that is, whether the pathological state results from this connection or is its cause. Chapter Nine

“If we could connect the centers of our ordinary consciousness with the higher thinking center deliberately and at will, it would be of no use to us whatever in our present general state. In most cases where ACCIDENTAL contact with the higher thinking center takes place a man becomes unconscious. The mind refuses to take in the flood of thoughts, emotions, images, and ideas which suddenly burst into it. And instead of a vivid thought, or a vivid emotion, there results, on the contrary, a complete blank, a state of unconsciousness. The memory retains only the first moment when the flood rushed in on the mind and the last moment when the flood was receding and consciousness returned. But even these moments are so full of unusual shades and colors that there is nothing with which to compare them among the ordinary sensations of life. This is usually all that remains from so-called ‘mystical’ and ‘ecstatic’ experiences, which represent a temporary connection with a higher center. Only very seldom does it happen that a mind which has been better prepared succeeds in grasping and remembering something of what was felt and understood at the moment of ecstasy. But even in these cases the thinking, the moving, and the emotional centers remember and transmit everything in their own way, translate absolutely new and never previously experienced sensations into the language of usual everyday sensations, transmit in worldly three-dimensional forms things which pass completely beyond the limits of worldly measurements; in this way, of course, they entirely distort every trace of what remains in the memory of these unusual experiences. Our ordinary centers, in transmitting the impressions of the higher centers, may be compared to a blind man speaking of colors, or to a deaf man speaking of music. Chapter Nine

“Strengthening this decision and bringing it constantly and infallibly into all those events where formerly ACCIDENTAL neutralizing ‘shocks’ used to act and give ACCIDENTAL results, gives a permanent line of results in time and is the transformation of trinity into quaternity. The next stage, the transformation of quaternity into quinternity and the construction of the pentagram has not one but many different meanings even in relation to man. And of these is learned, first of all, one, which is the most beyond doubt, relating to the work of centers. Chapter Fourteen

“And then man becomes the six-pointed star, that is, by becoming locked within a circle of life independent and complete in itself, he becomes isolated from foreign influences or ACCIDENTAL shocks; he embodies in himself the Seal of Solomon. Chapter Fourteen

“The difference between objective art and subjective art is that in objective art the artist really does ‘create,’ that is, he makes what he intended, he puts into his work whatever ideas and feelings he wants to put into it. And the action of this work upon men is absolutely definite; they will, of course each according to his own level, receive the same ideas and the same feelings that the artist wanted to transmit to them. There can be nothing ACCIDENTAL either in the creation or in the impressions of objective art. Chapter Fourteen

“In subjective art everything is ACCIDENTAL. The artist, as I have already said, does not create; with him ‘it creates itself.’ This means that he is in the power of ideas, thoughts, and moods which he himself does not understand and over which he has no control whatever. They rule him and they express themselves in one form or another. And when they have ACCIDENTALly taken this or that form, this form just as ACCIDENTALly produces on man this or that action according to his mood, tastes, habits, the nature of the hypnosis under which he lives, and so on. There is nothing invariable; nothing is definite here. In objective art there is nothing indefinite.” Chapter Fourteen

“Quite true,” said G., “and even the fact that such stories exist shows that people understood that the difference between real and unreal art lay precisely in this, an invariable or else an ACCIDENTAL action.” Chapter Fourteen

“To ordinary knowledge,” he said, “organic life is a kind of ACCIDENTAL appendage violating the integrity of a mechanical system. Ordinary knowledge does not connect it with anything and draws no conclusions from the fact of its existence. But you should already understand that there is nothing ACCIDENTAL or unnecessary in nature and that there can be nothing; everything has a definite function; everything serves a definite purpose. Thus organic life is an indispensable link in the chain of the worlds which cannot exist without it just as it cannot exist without them. It has been said before that organic life transmits planetary influences of various kinds to the earth and that it serves to feed the moon and to enable it to grow and strengthen. But the earth also is growing; not in the sense of size but in the sense of greater consciousness, greater receptivity. The planetary influences which were sufficient for her at one period of her existence become insufficient, she needs the reception of finer influences. To receive finer influences a finer, more sensitive receptive apparatus is necessary. Organic life, therefore, has to evolve, to adapt itself to the needs of the planets and the earth. Likewise also the moon can be satisfied at one period with the food which is given her by organic life of a certain quality, but afterwards the time comes when she ceases to be satisfied with this food, cannot grow on it, and begins to get hungry. Organic life must be able to satisfy this hunger, otherwise it does not fulfill its function, does not answer its purpose. This means that in order to answer its purpose organic life must evolve and stand on the level of the needs of the planets, the earth, and the moon. Chapter Fifteen

And suddenly everything changed. For a reason that seemed to me to be ACCIDENTAL and which was the result of friction between certain members of our small group G. announced that he was dispersing the whole group and stopping all work. At first we simply did not believe him, thinking he was putting us to a test. And when he said he was going to the Black Sea coast with Z. alone, all excepting a few of us who had to return to Moscow or Petersburg announced that they would follow him wherever he went. G. consented to this but he said that we must look after ourselves and that there would be no work no matter how much we counted on it. Chapter Seventeen