On the return journey, and during the several weeks I spent in London, everything I had thought about the results of my search was thrown into confusion by the wild absurdity of the war and by all the emotions which filled the AIR, conversation, and newspapers, and which, against my will, often affected me. Fragments: One

Ladies who suddenly see “eyes” in their rooms which float in the AIR and fascinate them and which they follow from street to street and at the end arrive at the house of a certain Oriental to whom the eyes belong. Or people who, in the presence of the same Oriental, suddenly feel he is looking right through them, seeing all their feelings, thoughts, and desires; and they have a strange sensation in their legs and cannot move, and then fall into his power to such an extent that he can make them do everything he desires, even from a distance. All this and many other stories of the same sort had always seemed to me to be simply bad fiction. People invent miracles for themselves and invent exactly what is expected from them. It is a mixture of superstition, self-suggestion, and defective thinking, and, according to myobservation, these stories never appear without a certain collaboration on the part of the men to whom they refer. Fragments: One

“All the matter of the world that surrounds us, the food that we eat, the water that we drink, the AIR that we breathe, the stones that our houses are built of, our own bodies — everything is permeated by all the matters that exist in the universe. There is no need to study or investigate the sun in order to discover the matter of the solar world: this matter exists in ourselves and is the result of the division of our atoms. In the same way we have in us the matter of all other worlds. Man is, in the full sense of the term, a ‘miniature universe’; in him are all the matters of which the universe consists; the same forces, the same laws that govern the life of the universe, operate in him; therefore in studying man we can study the whole world, just as in studying the world we can study man. Fragments: Five

“Do these four elements correspond to the old four alchemical elements, fire, AIR, water, earth?” asked one of us. Fragments: Five

” ‘Hydrogen’ 192 is the AIR of our atmosphere which we breathe. Fragments: Nine

“This chemistry or alchemy regards matter first of all from the point of view of its functions which determine its place in the universe and its relations to other matters and then from the point of view of its relation to man and to man’s functions. By an atom of a substance is meant a certain small quantity of the given substance that retains all its chemical, cosmic, and psychic properties, because, in addition to its cosmic properties, every substance also possesses psychic properties, that is, a certain degree of intelligence. The concept ‘atom’ may therefore refer not only to elements, but also to all compound matters possessing definite functions in the universe or in the life of man. There can be an atom of water, an atom of AIR (that is, atmospheric AIR suitable for man’s breathing), an atom of bread, an atom of meat, and so on. An atom of water will in this case be one-tenth of one-tenth of a cubic millimeter of water taken at a certain temperature by a special thermometer. This will be a tiny drop of water which under certain conditions can be seen with the naked eye. Fragments: Nine

“The human organism receives three kinds of food 1. The ordinary food we eat 2. The AIR we breathe 3. Our impressions Fragments: Nine

“It is not difficult to agree that AIR is a kind of food for the organism But in what way impressions can be food may appear at first difficult to understand We must however remember that, with every external im pression, whether it takes the form of sound, or vision, or smell, we receive from outside a certain amount of energy, a certain number of vibrations, this energy which enters the organism from outside is food Moreover, as has been said before, energy cannot be transmitted without matter If an external impression brings external energy with it into the organism it means that external matter also enters which feeds the organism in the full meaning of the term Fragments: Nine

“For its normal existence the organism must receive all three kinds of food, that is, physical food, AIR, and impressions The organism cannot exist on one or even on two kinds of food, all three are required But the relation of these foods to one another and their significance for the organism is not the same The organism can exist for a comparatively long time without a supply of fresh physical food Cases of starvation are known lasting for over sixty days, when the organism lost none of its vitality and recovered very quickly as soon as it began to take food Of course starvation of this kind cannot be considered as complete, since in all cases of such artificial starvation people have taken water Nevertheless, even without water a man can live without food for several days Without AIR he can exist only for a few minutes, not more than two or three, as a rule a man dies after being four minutes without AIR Without impressions a man cannot live a single moment If the flow of impressions were to be stopped in some way or if the organism were deprived of its capacity for receiving impressions, it would immediately die. The flow of impressions coming to us from outside is like a driving belt communicating motion to us. The principal motor for us is nature, the surrounding world. Nature transmits to us through our impressions the energy by which we live and move and have our being If the inflow of this energy is arrested, our machine will immediately stop working Thus, of the three kinds of food the most important for us is impressions, although it stands to reason that a man cannot exist for long on impressions alone Impressions and AIR enable a man to exist a little longer Impressions, AIR, and physical food enable the organism to live to the end of its normal term of life and to produce the substances necessary not only for the maintenance of life, but also for the creation and growth of higher bodies. Fragments: Nine

“At the given place in the organism “where mi 192 ought, apparently, to come to a stop there enters the ‘second food’ — AIR, in the form of do 192, that is, mi, re, do of the second cosmic octave of radiations. The note do possesses all the necessary semitones, that is, all the energy necessary for the transition to the next note, and it gives as it were a part of its energy to the note mi which has the same density as itself. The energy of do gives mi 192 force enough, while uniting with ‘carbon’ 48 already in the organism, to pass into ‘nitrogen’ 96. ‘Nitrogen’ 96 will be the note fa. Fragments: Nine

“La 24 unites with ‘carbon’ 6 present in the organism and is transformed into ‘nitrogen’ 12, or si 12. Si 12 is the highest substance produced in the organism from physical food with the help of the ‘additional shock’ obtained from the AIR. Fragments: Nine

“Do 192 (AIR) entering the middle story of the factory in the character of ‘oxygen’ and giving part of its energy to mi 192 unites in its turn at a certain place with ‘carbon’ 48 present in the organism and passes into re 96. Fragments: Nine

“Re 96 passes into mi 48 with the help of ‘carbon’ 24 and with this the development of the second octave comes to a stop. For the transition of mi into fa, an ‘additional shock’ is necessary, but at this point nature has not prepared any ‘additional shock’ and the second octave, that is, the AIR octave, cannot develop further and in the ordinary conditions of life it does not develop further. Fragments: Nine

“There is, however, a possibility of increasing the output, that is, of enabling the AIR octave and the impression octave to develop further. For this purpose it is necessary to create a special kind of ‘artificial shock’ at the point where the beginning of the third octave is arrested. This means that the ‘artificial shock’ must be applied to the note dodo 48. Fragments: Nine

“Mi 48 passes to fa 24; fa 24 passes to sol 12; sol 12 passes to la 6. La 6 is the highest matter produced by the organism from AIR, that is, from the second kind of food. This however is obtained only by making a conscious effort at the moment an impression is received. “It is necessary to understand what this means. We all breathe the same AIR. Apart from the elements known to our science the AIR contains a great number of substances unknown to science, indefinable for it and inaccessible to its observation. But exact analysis is possible both of the AIR inhaled and of the AIR exhaled. This exact analysis shows that although Fragments: Nine

the AIR inhaled by different people is exactly the same, the AIR exhaled is quite different. Let us suppose that the AIR we breathe is composed of twenty different elements unknown to our science. A certain number of these elements are absorbed by every man when he breathes. Let us suppose that five of these elements are always absorbed. Consequently the AIR exhaled by every man is composed of fifteen elements; five of them have gone to feeding the organism. But some people exhale not fifteen but only ten elements, that is to say, they absorb five elements more. These five elements are higher ‘hydrogens.’ These higher ‘hydrogens’ are present in every small particle of AIR ‘we inhale. By inhaling AIR we introduce these higher ‘hydrogens’ into ourselves, but if our organism does not know how to extract them out of the particles of AIR, and retain them, they are exhaled back into the AIR. If the organism is able to extract and retain them, they remain in it. In this way we all breathe the same AIR but we extract different substances from it. Some extract more, others less. Fragments: Nine

“In order to extract more, it is necessary to have in our organism a certain quantity of corresponding fine substances. Then the fine substances contained in the organism act like a magnet on the fine substances contained in the inhaled AIR. We come again to the old alchemical law: ‘In order to make gold, it is first of all necessary to have a certain quantity of real gold.’ ‘If no gold whatever is possessed, there is no means whatever of making it.’ Fragments: Nine

“In order to understand the analogy between man, the human organism, and the universe, let us take the world as we did before in the form of three octaves from the Absolute to the sun, from the sun to the earth, and from the earth to the moon. Each of these three octaves lacks a semitone between fa and mi and in each octave the place of this missing semitone is taken by a certain kind of ‘shock’ which is created artificially at the given point. If we now begin to look for an analogy between the three-story factory and the three octaves of the universe, we ought to realize that the three ‘additional shocks’ in the three octaves of the universe correspond to the three kinds of food entering the human organism. The ‘shock’ in the lower octave corresponds to physical food; this ‘shock’ is do 768 of the cosmic three-story factory. The ‘shock’ in the middle octave corresponds to AIR. It is do 192 of the cosmic factory. The ‘shock’ in the upper octave corresponds to impressions; it is do 48 of the cosmic factory. In the inner work of this cosmic three-story factory all three kinds of food undergo the same transformation as in the human factory, on the same plan and in accordance with the same laws. A further study of the analogy between man and the universe is possible only after an exact study of the human machine and after the respective ‘places’ of each of the ‘hydrogens’ in our organism has been established exactly. This means that to proceed with any further study we must find the exact purpose of each ‘hydrogen,’ that is to say, each ‘hydrogen’ must be defined chemically, psychologically, physiologically, and anatomically, in other words, its functions, its place in the human organism, and, if possible, the peculiar sensations connected with it must be defined. Fragments: Nine

“The first stage refers to the work of the human organism as it has been created by nature, that is to say, to the life and functions of man number one, number two, and number three. The first octave, that is, the octave of food, develops in a normal way to mi 192. At this point it automatically receives a ‘shock’ from the beginning of the second octave, and its development goes on consecutively to si 12. The second octave, that is, the AIR octave, begins with do 192 and develops to mi 48 where it stops. The third octave, that is, the octave of impressions, begins with do 48 and stops there. Thus seven notes of the first octave, three notes of the second, and one note of the third octave represent a complete picture of the work of the ‘human factory’ in its first or natural stage. Nature has provided only one ‘shock,’ that is, the ‘shock’ received from the entrance of the second octave which helps mi of the first octave to pass to fa. But nature did not foresee and did not provide for the second ‘shock,’ that is, the ‘shock’ that would help the development of the third octave and thereby enable mi of the second octave to pass to fa. A man must create this ‘shock’ by his own personal efforts if he desires to increase the output of the fine hydrogens in his organism. Fragments: Nine

“This means that the center has become connected directly to the large accumulator. The large accumulator contains an enormous amount of energy. Connected with the large accumulator a man is literally able to perform miracles. But of course, if the ‘rolls’ continue to turn and energy which is made from AIR, food, and impressions continues to pour out of the large accumulator faster than it pours in, then there comes a moment when the large accumulator is drained of all energy and the organism dies. But this happens very seldom. Usually the organism automatically stops working long before this. Special conditions are necessary to cause the organism to die exhausted of all its energy. In ordinary conditions a man will fall asleep or he will faint or he will develop some internal complication which will stop the work a long time before the real danger. Fragments: Eleven

“As we pointed out before, man takes in three kinds of food. Each one of them is the beginning of a new octave. The second octave, that is, the AIR octave, joins up with the first, that is, the octave of food and drink, at the point where the first octave comes to a stop in its development at the note mi. And the third octave joins up with the second at the point where the second octave comes to a stop in its development at the note mi. Fragments: Fourteen

“The process of the transition fa-mi can be represented in the most schematic way thus: the cosmic fa enters this machine like the food of the lower story and begins its cycle of changes. Therefore in the beginning it sounds in the machine as do. The substance sol of the cosmic octave serves as the substance which enters the middle story like the AIR in breathing, which helps the note fa inside the machine to pass into the note mi. This sol on entering the machine also sounds as do. The matter which has now been obtained is joined in the upper story by the substance of the cosmic la, which enters the upper story of the machine, also as do. Fragments: Fourteen

“If you try to continue these definitions you will see that this plan, so simple at the first glance, makes it possible to determine the most subtle distinctions between classes of living beings, especially if you bear in mind that ‘hydrogens,’ taking them as we have by octaves, are very broad concepts. For example, we took it that a dog, a fish, and a flour worm alike feed on ‘hydrogen’ 1536, implying by this ‘hydrogen’ substances of organic origin which are not good for human food. Now, if we realize that these substances in their turn can be divided into definite classes, we shall see the possibility of very exact definitions. It is exactly the same with AIR and exactly the same with the medium. Fragments: Sixteen

“If these principles of classification and definition are understood in the right way, many things become clear and comprehensible. No living being can change its food at will, or the AIR it breathes, or the medium in which it lives. The cosmic order of each being determines its food as well as the AIR it breathes and the medium in which it lives. Fragments: Sixteen

“When we talked before about the octaves of food in the three-story factory we saw that ‘all the finer ‘hydrogens’ needed for the working, the growth, and the evolution of the organism were prepared from three kinds of food, that is, from food in the strict meaning of the word — eatables and drink, from AIR which we breathe, and from impressions. Now let us suppose that we could improve the quality of food and AIR, feed, let us say, on ‘hydrogen’ 384 instead of 768 and breathe ‘hydrogen’ 96 instead of 192. How much simpler and easier the preparation of fine matters in the organism would be then. But the whole point is that this is impossible. The organism is adapted to transform precisely these coarse matters into fine matters, and if you give it fine matters instead of coarse matters it will not be in a position to transform them and it will very soon die. Neither AIR nor food can be changed. But impressions, that is, the quality of the impressions possible to man, are not subject to any cosmic law. Man cannot improve his food, he cannot improve the AIR. Improvement in this case would be actually making things worse. For instance ‘hydrogen* 96 instead of 192 would be either very rarefied AIR or very hot incandescent gases which man cannot possibly breathe; fire is ‘hydrogen’ 96. It is exactly the same with food. ‘Hydrogen’ 384 is water. If man could improve his food, that is, make it finer, he would have to feed on water and breathe fire. It is clear that this is impossible. But while it is not possible for him to improve his food and AIR he can improve his impressions to a very high degree and in this way introduce fine ‘hydrogens’ into the organism. It is precisely on this that the possibility of evolution is based. A man is not at all obliged to feed on the dull impressions of H48, he can have both H24, H12, and H6, and even H3. This changes the whole picture and a man who makes higher ‘hydrogens’ the food for the upper story of his machine will certainly differ from one who feeds on the lower ‘hydrogens.’” Fragments: Sixteen

“There is still another system of classification,”‘ he said, “which you also ought to understand. This is a classification in an altogether different ratio of octaves. The first classification by ‘food,’ ‘AIR,’ and medium definitely refers to ‘living beings’ as we know them, including plants, that is to say, to individuals. The other classification of which I shall now speak leads us far beyond the limits of what we call ‘living beings’ both upwards, higher than living beings, as well as downwards, lower than living beings, and it deals not with individuals but with classes in a very wide sense. Above all this classification shows that there are no jumps whatever in nature. In nature everything is connected and everything is alive. The diagram of this classification is called the ‘Diagram of Everything Living.’ Fragments: Sixteen

It became more and more difficult for me to breathe and to mark time, and to observe the count of breaths and steps. I was pouring with sweat, my head began to turn round, and I thought I should fall. I began to despAIR of obtaining results of any kind and I had almost stopped when suddenly something seemed to crack or move inside me and my breathing went on evenly and properly at the rate I wanted it to go, but without any effort on my part, while affording me all the amount of AIR I needed. It was an extraordinarily pleasant sensation. I shut my eyes and continued to mark time, breathing easily and freely and feeling exactly as though strength was increasing in me and that I was getting lighter and stronger. I thought that if I could continue to run in this way for a certain time I should get still more interesting results because waves of a sort of joyful trembling had already begun to go through my body which, as I knew from previous experiments, preceded what I called the opening of the inner consciousness. Fragments: Seventeen