“I do not call art all that you call art, which is simply mechanical reproduction, imitation of nature or other people, or simply fantasy, or an attempt to be original. Real art is something quite different. Among works of art, especially works of ancient art, you meet with many things you cannot explain and which contain a certain something you do not feel in modern works of art. But as you do not realize what this difference is you very soon forget it and continue to take everything as one kind of art. And yet there is an enormous difference between your art and the art of which I speak. In your art everything is subjective — the artist’s perception of this or that sensation; the forms in which he tries to express his sensations and the perception of these forms by other people. In one and the same phenomenon one artist may feel one thing and another artist quite a different thing. One and the same sunset may evoke a feeling of joy in one artist and sadness in another. Two artists may strive to express exactly the same perceptions by entirely different methods, in different forms; or entirely different perceptions in the same forms — according to how they were taught, or contrary to it. And the spectators, listeners, or readers will perceive, not what the artist wished to convey or what he felt, but what the forms in which he expresses his sensations will make them feel by association. Everything is subjective and everything is accidental, that is to say, based on accidental ASSOCIATIONS — the impression of the artist and his ‘creation’” (he emphasized the word “creation”), “the perceptions of the spectators, listeners, or readers. Fragments: One
“The alternation of I’s, their continual obvious struggle for supremacy, is controlled by accidental external influences. Warmth, sunshine, fine weather, immediately call up a whole group of I’s. Cold, fog, rain, call up another group of I’s, other ASSOCIATIONS, other feelings, other actions. There is nothing in man able to control this change of I’s, chiefly because man does not notice, or know of it; he lives always in the last I. Some I’s, of course, are stronger than others. But it is not their own conscious strength; they have been created by the strength of accidents or mechanical external stimuli. Education, imitation, reading, the hypnotism of religion, caste, and traditions, or the glamour of new slogans, create very strong I’s in man’s personality, which dominate whole series of other, weaker, I’s. But their strength is the strength of the ‘rolls’ in the centers. And all I’s making up a man’s personality have the same origin as these ‘rolls’; they are the results of external influences; and both are set in motion and controlled by fresh external influences. Fragments: Three
“One of the reasons for the divergence between the line of knowledge and the line of being in life, and the lack of understanding which is partly the cause and partly the effect of this divergence, is to be found in the language which people speak. This language is full of wrong concepts, wrong classifications, wrong ASSOCIATIONS. And the chief thing is that, owing to the essential characteristics of ordinary thinking, that is to say, to its vagueness and inaccuracy, every word can have thousands of different meanings according to the material the speaker has at his disposal and the complex of ASSOCIATIONS at work in him at the moment. People do not clearly realize to what a degree their language is subjective, that is, what different things each of them says while using the same words. They are not aware that each one of them speaks in a language of his own, understanding other people’s language either vaguely or not at all, and having no idea that each one of them speaks in a language unknown to him. People have a very firm conviction, or belief, that they speak the same language, that they understand one another. Fragments: Four
“In analyzing the various subjective meanings of the word ‘man’ we have seen how varied and contradictory, and, above all, how concealed and unnoticeable even to the speaker. himself are the meanings and the shades of meaning created by habitual ASSOCIATIONS that can be put into a word. Fragments: Four
“Let us take some other word, for example, the term ‘world.’ Each man understands it in his own way, and each man in an entirely different way. Everyone when he hears or pronounces the word ‘world’ has ASSOCIATIONS entirely foreign and incomprehensible to another. Every ‘conception of the world,’ every habitual form of thinking, carries with it its own ASSOCIATIONS, its own ideas. Fragments: Four
“Having fixed in his own mind the difference between the intellectual, the emotional, and the moving functions, a man must, as he observes himself, immediately refer his impressions to this or that category. And at first he must take mental note of only such observations as regards which he has no doubt whatever, that is, those where he sees at once to what category they belong. He must reject all vague or doubtful cases and remember only those which are unquestionable. If the work is carried on properly, the number of unquestionable observations will rapidly increase. And that which seemed doubtful before will be clearly seen to belong to the first, the second, the third center. Each center has its own memory, its own ASSOCIATIONS, its own thinking. As a matter of fact each center consists of three parts: the thinking, the emotional, and the moving. But we know very little about this side of our nature. In each center we know only one part. Self-observation, however, will very quickly show us that our mental life is much richer than we think, or in any case that it contains more possibilities than we think. Fragments: Six
“Even at the first attempt to study the elementary activity of the moving center a man comes up against habits. For instance, a man may want to study his movements, may want to observe how he walks. But he will never succeed in doing so for more than a moment if he continues to walk in the usual way. But if he understands that his usual way of walking consists of a number of habits, for instance, of taking steps of a certain length, walking at a certain speed, and so on, and lie tries to alter them, that is, to walk faster or slower, to take bigger or smaller steps, he will be able to observe himself and to study his movements as he walks. If a man wants to observe himself when he is writing, he must take note of how he holds his pen and try to hold it in a different way from usual; observation will then become possible. In order to observe himself a man must try to walk not in his habitual way, he must sit in unaccustomed attitudes, he must stand when he is accustomed to sit, he must sit when he is accustomed to stand, and he must make with his left hand the movements he is accustomed to make with his right hand and vice versa. All this will enable him to observe himself and study the habits and ASSOCIATIONS of the moving center. Fragments: Six
“In order to know why this is so you must remember a great deal of what has been said earlier. As was said earlier, self-observation brings a man to the realization of the fact that he does not remember himself. Man’s inability to remember himself is one of the chief and most characteristic features of his being and the cause of everything else in him. The inability to remember oneself finds expression in many ways. A man does ‘not remember his decisions, he does not remember the promises lie has made to himself, does not remember what he said or felt a month, a week, a day, or even an hour ago. He begins work of some kind and after a certain lapse of time he does not remember why he began it. It is especially in connection with work on oneself that this happens particularly often. A man can remember a promise given to another person only with the help of artificial ASSOCIATIONS, ASSOCIATIONS which have been educated into him, and they, in their turn, are connected with conceptions which are also artificially created of ‘honor,’ ‘honesty,’ ‘duty,’ and so on. But speaking in general one can say truthfully that if a man remembers one thing he forgets ten other things which are much more important for him to remember. And a man particularly easily forgets what relates to himself, those ‘mental photographs’ of himself which perhaps he has previously taken. Fragments: Eight
“It is illusion to say our movements are voluntary. All our movements are automatic. Our thoughts and feelings are just as automatic. The automatism of thought and feeling is definitely connected with the automatism of movement. One cannot be changed without the other. So that if a man’s attention is concentrated, let us say, on changing automatic thoughts, then habitual movements and habitual postures will interfere with this new course of thought by attaching to it old habitual ASSOCIATIONS. Fragments: Seventeen
In normal times a colony like ours could not have existed in Essentuki nor probably anywhere else in Russia. We should have excited curiosity, we should have attracted attention, the police would have appeared, some kind of scandal would undoubtedly have arisen, all possible kinds of accusations would have made their appearance, political tendencies would certainly have been ascribed to us, or sectarian or antimoral. People are made in such a way that they invariably make accusations against the things they fail to understand. But at that time, that is, in 1918, those who would have been curious about us were occupied in saving their own skins from the bolsheviks, and the bolsheviks were not yet strong enough to be interested in the lives of private people or private organizations having no direct political character. And, seeing that, among the intellectuals from the capital who found themselves by the will of fate at Mineralni Vodi at that time, a number of groups and working ASSOCIATIONS had Just been organized, nobody paid any attention to us. Fragments: Eighteen
“And this is particularly important in connection with the study of the divisions of centers in oneself. Mention has been made of this several times before. You must understand that each center is divided into three parts in conformity with the primary division of centers into ‘thinking,’ ’emotional,’ and ‘moving.’ On the same principle each of these parts in its turn is divided into three. In addition, from the very outset each center is divided into two parts: positive and negative. And in all parts there are groups of ‘rolls* connected together, some in one direction and others in another direction. This explains the differences between people, what is called ‘individuality.’ Of course there is in this no individuality at all, but simply a difference of ‘rolls’ and ASSOCIATIONS.” Fragments: Eighteen