B849 <=> B851 (BTG XL Heptaparaparshinokh, p. 850)
“On the Lav-Merz-Nokh, each octave as well as each whole note of the octave had names of their own.
“And, namely, the highest octave of the strings was called ‘Arachiaplnish,’
The second highest ‘Erkrordiapan’
The third highest ‘Erordiapan’
The fourth highest ‘Chorortdiapan’
The fifth highest ‘Piandjiapan’
The sixth highest ‘Vetserordiapan’
The seventh highest ‘Okhterordiapan’
“And the ‘gravity-center-strings’ themselves were painted white and were called the same in all octaves, but with the addition of the name of the given octave itself.
“And, namely, these whole notes were called thus:
The first highest ‘Adashtanas’
The second highest ‘Evotanas’
The third highest ‘Govorktanis’
The fourth highest ‘Maikitanis’
The fifth highest ‘Midotanis’
The sixth highest ‘Lookotanas’
The seventh highest ‘Sonitanis’
“The contemporary beinbeings of the Earth now call these same whole notes: ‘do,’ ‘si,’ ‘la,’ ‘sol,’ ‘fa,’ ‘mi,’ ‘re.’
“By the way, my boy, in order that the greatness of these two saints, brothers, should be still more evident to you, I draw your attention to the fact that the calculations made by them and the qualitativeness established by these calculations of what is called the ‘vivifyingness-of-the-vibrations’ of sound which corresponded according to their suppositions with the vivifyingness of cosmic sources of substances, appeared to coincide almost exactly with reality.