“In the big COSMIC OCTAVE, which reaches us in the form of the ray of creation, we can see the first complete example of the law of octaves. The ray of creation begins with the Absolute. The Absolute is the All. The All, possessing full unity, full will, and full consciousness, creates worlds within itself, in this way beginning the descending world octave. The Absolute is the do of this octave. The worlds which the Absolute creates in itself are si. The ‘interval’ between do and si in this case is filled by the will of the Absolute. The process of creation is developed further by the force of the original impulse and an ‘additional shock.’ Si passes into la which for us is our star world, the Milky Way. La passes into sol — our sun, the solar system. Sol passes into fa — the planetary world. And here between the planetary world as a whole and our earth occurs an ‘interval.’ This means that the planetary radiations carrying various influences to the earth are not able to reach it, or, to speak more correctly, they are not received, the earth reflects them. In order to fill the ‘interval’ at this point of the ray of creation a special apparatus is created for receiving and transmitting the influences coming from the planets. This apparatus is organic life on earth. Organic life transmits to the earth all the influences intended for it and makes possible the further development and growth of the earth, mi of the COSMIC OCTAVE, and then of the moon or re, after which follows another do — Nothing. Between All and Nothing passes the ray of creation. Fragments: Seven
“In examining the ray of creation or COSMIC OCTAVE we see that ‘intervals’ should come in the development of this octave: the first between do and si, that is between world 1 and world 3, between the Absolute and ‘all worlds,’ and the second between fa and mi, that is, between world 24 and world 48, between ‘all planets’ and the earth. But the first ‘interval’ is filled by the will of the Absolute. One of the manifestations of the will of the Absolute consists precisely in the filling of this ‘interval’ by means of a conscious manifestation of neutralizing force which fills up the ‘interval’ between the active and the passive forces. With the second ‘interval’ the situation is more complicated. Something is missing between the planets and the earth. Planetary influences cannot pass to the earth consecutively and fully. An ‘additional shock’ is indispensable; the creation of some new conditions to insure a proper passage of forces is indispensable. Fragments: Seven
And once dwelling on this theme he gave us a diagram of the structure of the octave in which one of the links was “organic life on earth.” “This additional or lateral octave in the ray of creation begins in the sun,” he said. “The sun, sol of the COSMIC OCTAVE, begins at a certain moment to sound as do, sol do. Fragments: Seven
“It is necessary to realize that every note of any octave, in the present instance every note of the COSMIC OCTAVE, may represent do of some other lateral octave issuing from it. Or it would be still more exact to say that any note of any octave may at the same time be any note of any other octave passing through it. Fragments: Seven
“In the present instance sol begins to sound as do. Descending to the level of the planets this new octave passes into si; descending still lower it produces three notes, la, sol, fa, which create and constitute organic life on earth in the form that we know it; mi of this octave blends with mi of the COSMIC OCTAVE, that is, with the earth, and re with the re of the COSMIC OCTAVE, that is, with the moon.” Fragments: Seven
“Physical food is H768, or la, sol, fa of the third COSMIC OCTAVE of radiations. This ‘hydrogen’ enters the lower story of the organism as ‘oxygen’ do 768. Fragments: Nine
“At the given place in the organism “where mi 192 ought, apparently, to come to a stop there enters the ‘second food’ — air, in the form of do 192, that is, mi, re, do of the second COSMIC OCTAVE of radiations. The note do possesses all the necessary semitones, that is, all the energy necessary for the transition to the next note, and it gives as it were a part of its energy to the note mi which has the same density as itself. The energy of do gives mi 192 force enough, while uniting with ‘carbon’ 48 already in the organism, to pass into ‘nitrogen’ 96. ‘Nitrogen’ 96 will be the note fa. Fragments: Nine
“The third octave begins with do 48. “Impressions enter the organism in the form of ‘oxygen’ 48, that is, la, sol, fa of the second COSMIC OCTAVE Sun-Earth. Fragments: Nine
that is, in one case x between mi and fa, and in the other between sol and la, where it is not necessary. “The apparent placing of the interval in its wrong place itself shows to those who are able to read the symbol what kind of ‘shock’ is required for the passage of si to do. “In order to understand this, it is essential to recollect what was said about the role of ‘shocks’ in the processes proceeding in man and in the universe. “When we examined the application of the law of octaves to the cosmos then the step ‘sun-earth’ was represented in this way: “In relation to the three octaves of radiation it was pointed out that the passage of do to si, the filling of the interval, takes place within the organism of the sun. It was pointed out in the COSMIC OCTAVE in relation to the ‘interval’ do-si that this passage is accomplished by the will of the Absolute. The passage fa-mi in the COSMIC OCTAVE is accomplished mechanically with the help of a special machine which makes it possible for fa, which enters it, to acquire by a series of inner processes the characteristics of sol standing above it, without changing its note, that is, to accumulate, as it were, the inner energy for passing independently into the next note, into mi. Fragments: Fourteen
“The COSMIC OCTAVE ‘Absolute-moon’ has, according to the law of three, been broken into three subordinate octaves. In these three octaves the cosmos is like man; the same ‘three stories,’ the same three shocks. Fragments: Fourteen
“The process of the transition fa-mi can be represented in the most schematic way thus: the cosmic fa enters this machine like the food of the lower story and begins its cycle of changes. Therefore in the beginning it sounds in the machine as do. The substance sol of the COSMIC OCTAVE serves as the substance which enters the middle story like the air in breathing, which helps the note fa inside the machine to pass into the note mi. This sol on entering the machine also sounds as do. The matter which has now been obtained is joined in the upper story by the substance of the cosmic la, which enters the upper story of the machine, also as do. Fragments: Fourteen