“Moving center working for thinking center produces, for example, mechanical reading or mechanical listening, as when a man reads or listens to nothing but words and is utterly unconscious of what he is reading or hearing. This generally happens when attention, that is, the direction of the thinking center’s activity, is occupied with something else and when the moving center is trying to replace the absent thinking center; but this very easily becomes a habit, because the thinking center is generally distracted not by useful work, by thought, or by contemplation, but simply by DAYDREAMING or by imagination. Fragments: Six

“‘Imagination’ is one of the principal sources of the wrong workwork of centers. Each center has its own form of imagination and DAYDREAMING, but as a rule both the moving and the emotional centers make use of the thinking center which very readily places itself at their disposal for this purpose, because DAYDREAMING corresponds to its own inclinations. Daydreaming is absolutely the opposite of ‘useful’ mental activity. ‘Useful’ in this case means activity directed towards a definite aim and undertaken for the sake of obtaining a definite result. Daydreaming does not pursue any aim, does not strive after any result. The motive for DAYDREAMING always lies in the emotional or in the moving center. The actual process is carried on by the thinking center. The inclination to daydream is due partly to the laziness of the thinking center, that is, its attempts to avoid the efforts connected with work directed towards a definite aim and going in a definite direction, and partly to the tendency of the emotional and the moving centers to repeat to themselves, to keep alive or to recreate experiences, both pleasant and unpleasant, that have been previously lived through or ‘imagined.’ Daydreaming of disagreeable, morbid things is very characteristic of the unbalanced state of the human machine, After all, one can understand DAYDREAMING of a pleasant kind and find logical justification for it. Daydreaming of an unpleasant character is an utter absurdity. And yet many people spend nine tenths of their lives in just such painful daydreams about misfortunes which may overtake them or their family, about illnesses they may contract or sufferings they will have to endure. Imagination and DAYDREAMING are instances of the wrong work of the thinking center. Fragments: Six

“Observation of the activity of imagination and DAYDREAMING forms a very important part of self-study. Fragments: Six

“I do not know what you call ‘cosmic consciousness,’ ” said G., “it is a vague and indefinite term; anyone can call anything he likes by it. In most cases what is called ‘cosmic consciousness’ is simply fantasy, associative DAYDREAMING connected with intensified work of the emotional center. Sometimes it comes near to ecstasy but most often it is merely a subjective emotional experience on the level of dreams. But even apart from all this before we can speak of ‘cosmic consciousness’ we must define in general what consciousness is. Fragments: Seven

“Energy is spent chiefly on unnecessary and unpleasant emotions, on the expectation of unpleasant things, possible and impossible, on bad moods, on unnecessary haste, nervousness, irritability, imagination, DAYDREAMING, and so on. Energy is wasted on the wrong workwork of centers; on unnecessary tension of the muscles out of all proportion to the work produced; on perpetual chatter which absorbs an enormous amount of energy; on the ‘interest’ continually taken in things happening around us or to other people and having in fact no interest whatever; on the constant waste of the force of ‘attention’; and so on, and so on. Fragments: Nine

“Still further we can point to the habit of continually talking with anybody and about anything, or if there is no one else, with ourselves; the habit of indulging in fantasies, in DAYDREAMING; the continual change of mood, feelings, and emotions, and an enormous number of quite useless things which a man considers himself obliged to feel, think, do, or say. Fragments: Nine