“In a descending octave, on the other hand, the greatest ‘interval’ occurs at the very beginning of the octave, immediately after the first do and the material for filling it is very often found either in do itself or in the lateral vibrations evoked by do. For this reason a descending octave develops much more easily than an ascending octave and in passing beyond si it reaches fa without hindrance; here an ‘additional shock’ is necessary, though considerably less strong than the first ‘shock’ between DO AND SI. Fragments: Seven

“In the big cosmic octave, which reaches us in the form of the ray of creation, we can see the first complete example of the law of octaves. The ray of creation begins with the Absolute. The Absolute is the All. The All, possessing full unity, full will, and full consciousness, creates worlds within itself, in this way beginning the descending world octave. The Absolute is the do of this octave. The worlds which the Absolute creates in itself are si. The ‘interval’ between DO AND SI in this case is filled by the will of the Absolute. The process of creation is developed further by the force of the original impulse and an ‘additional shock.’ Si passes into la which for us is our star world, the Milky Way. La passes into sol — our sun, the solar system. Sol passes into fa — the planetary world. And here between the planetary world as a whole and our earth occurs an ‘interval.’ This means that the planetary radiations carrying various influences to the earth are not able to reach it, or, to speak more correctly, they are not received, the earth reflects them. In order to fill the ‘interval’ at this point of the ray of creation a special apparatus is created for receiving and transmitting the influences coming from the planets. This apparatus is organic life on earth. Organic life transmits to the earth all the influences intended for it and makes possible the further development and growth of the earth, mi of the cosmic octave, and then of the moon or re, after which follows another do — Nothing. Between All and Nothing passes the ray of creation. Fragments: Seven

“In examining the ray of creation or cosmic octave we see that ‘intervals’ should come in the development of this octave: the first between DO AND SI, that is between world 1 and world 3, between the Absolute and ‘all worlds,’ and the second between fa and mi, that is, between world 24 and world 48, between ‘all planets’ and the earth. But the first ‘interval’ is filled by the will of the Absolute. One of the manifestations of the will of the Absolute consists precisely in the filling of this ‘interval’ by means of a conscious manifestation of neu-tralizing force which fills up the ‘interval’ between the active and the passive forces. With the second ‘interval’ the situation is more complicated. Something is missing between the planets and the earth. Planetary influences cannot pass to the earth consecutively and fully. An ‘additional shock’ is indispensable; the creation of some new conditions to insure a proper passage of forces is indispensable. Fragments: Seven

“In the first octave the Absolute will include two notes, DO AND SI, with the ‘interval’ between them. Fragments: Nine

“It must be observed that, although there are six ‘intervals’ in these three octaves, only three of them actually require to be supplemented from outside. The first ‘interval’ between DO AND SI is filled by the will of the Absolute. The second ‘interval’ do-si is filled by the influence of the sun’s mass upon radiations passing through it. And the third ‘interval’ do-si is filled by the action of the earth’s mass upon radiations passing through it. Only the ‘intervals’ between fa and mi have to be filled by ‘additional shocks.’ These ‘additional shocks’ can come either from other octaves which pass across the given point or from parallel octaves which start from higher points. We know nothing about the nature of the ‘shock’ between mi-fa in the first octaoctave Absolute-Sun. But the ‘shock’ in the octave Sun-Earth is organic life on earth, that is, the three notes la, sol, fa of the octave which starts in the sun. The nature of the ‘shock’ between mi and fa in the octave Earth-Moon is unknown to us. Fragments: Nine