“In order to study these radiations let us take the ‘ray of creation’ in an abridged form: Absolute-sun-earth-moon, or in other words let us imagine the ‘ray of creation’ in the form of three octaves of radiations: the FIRST OCTAVE between the Absolute and the sun, the second octave between the sun and the earth, and the third octave between the earth and the moon; and let us examine the passage of radiations between these four fundamental points of the universe. Fragments: Nine

“In the FIRST OCTAVE the Absolute will include two notes, do and si, with the ‘interval’ between them. Fragments: Nine

“It must be observed that, although there are six ‘intervals’ in these three octaves, only three of them actually require to be supplemented from outside. The first ‘interval’ between do and si is filled by the will of the Absolute. The second ‘interval’ do-si is filled by the influence of the sun’s mass upon radiations passing through it. And the third ‘interval’ do-si is filled by the action of the earth’s mass upon radiations passing through it. Only the ‘intervals’ between fa and mi have to be filled by ‘additional shocks.’ These ‘additional shocks’ can come either from other octaves which pass across the given point or from parallel octaves which start from higher points. We know nothing about the nature of the ‘shock’ between mi-fa in the FIRST OCTAVE Absolute-Sun. But the ‘shock’ in the octave Sun-Earth is organic life on earth, that is, the three notes la, sol, fa of the octave which starts in the sun. The nature of the ‘shock’ between mi and fa in the octave Earth-Moon is unknown to us. Fragments: Nine

“We have followed the development of two octaves. The third octave, that is, the octave of impressions, begins through a conscious effort. Do 48 passes to re 24; re 24 passes to mi 12. At this point the development of the octave comes to a stop. “Now if we examine the result of the development of these three octaves, we shall see that the FIRST OCTAVE has reached si 12, the second la 6, and the third mi 12. Thus the first and third octaves stop at notes which are unable to pass to the following notes. “For the two octaves to develop further, a second conscious shock is needed at a certain point in the machine, a new conscious effort is necessary which will enable the two octaves to continue their development. The nature of this effort demands special study. From the point of view of the general work of the machine it can be said in general that this effort is connected with the emotional life, that it is a special kind of influence over one’s emotions. But what this kind of influence really is, and how it has to be produced, can be explained only in connection with a general description of the work of the human factory or the human machine. Fragments: Nine

“The first stage refers to the work of the human organism as it has been created by nature, that is to say, to the life and functions of man number one, number two, and number three. The FIRST OCTAVE, that is, the octave of food, develops in a normal way to mi 192. At this point it automatically receives a ‘shock’ from the beginning of the second octave, and its development goes on consecutively to si 12. The second octave, that is, the air octave, begins with do 192 and develops to mi 48 where it stops. The third octave, that is, the octave of impressions, begins with do 48 and stops there. Thus seven notes of the FIRST OCTAVE, three notes of the second, and one note of the third octave represent a complete picture of the work of the ‘human factory’ in its first or natural stage. Nature has provided only one ‘shock,’ that is, the ‘shock’ received from the entrance of the second octave which helps mi of the FIRST OCTAVE to pass to fa. But nature did not foresee and did not provide for the second ‘shock,’ that is, the ‘shock’ that would help the development of the third octave and thereby enable mi of the second octave to pass to fa. A man must create this ‘shock’ by his own personal efforts if he desires to increase the output of the fine hydrogens in his organism. Fragments: Nine

“The second stage refers to the work of the human organism when a man creates a conscious volitional ‘shock’ at the point do 48. In the first place this volitional ‘shock’ is transmitted to the second octave which develops as far as sol 12, or even further up to la 6 and so on, if the work of the organism is sufficiently intense. The same ‘shock’ also enables the third octave to develop, that is, the octave of impressions which in this event reaches mi 12. Thus in the second stage of the work of the human organism, we see the full development of the second octave and three notes of the third octave. The FIRST OCTAVE has stopped at the note si 12, the third at the note mi 12. Neither of these octaves can proceed any further without a fresh ‘shock.’ The nature of this second ‘shock’ cannot be so easily described as the nature of the first volitional ‘shock’ at do 48. In order to understand the nature of this ‘shock’ it is necessary to understand the meaning of si 12 and mi 12. Fragments: Nine

“As we pointed out before, man takes in three kinds of food. Each one of them is the beginning of a new octave. The second octave, that is, the air octave, joins up with the first, that is, the octave of food and drink, at the point where the FIRST OCTAVE comes to a stop in its development at the note mi. And the third octave joins up with the second at the point where the second octave comes to a stop in its development at the note mi. Fragments: Fourteen