“I do not call art all that you call art, which is simply mechanical reproduction, imitation of nature or other people, or simply fantasy, or an attempt to be original. Real art is something quite different. Among works of art, especially works of ancient art, you meet with many things you cannot explain and which contain a certain something you do not feel in modern works of art. But as you do not realize what this difference is you very soon forget it and continue to take everything as one kind of art. And yet there is an enormous difference between your art and the art of which I speak. In your art everything is subjective — the artist’s perception of this or that sensation; the forms in which he tries to express his sensations and the perception of these forms by other people. In one and the same phenomenon one artist may feel one thing and another artist quite a different thing. One and the same sunset may evoke a feeling of JOY in one artist and sadness in another. Two artists may strive to express exactly the same perceptions by entirely different methods, in different forms; or entirely different perceptions in the same forms — according to how they were taught, or contrary to it. And the spectators, listeners, or readers will perceive, not what the artist wished to convey or what he felt, but what the forms in which he expresses his sensations will make them feel by association. Everything is subjective and everything is accidental, that is to say, based on accidental associations — the impres­sion of the artist and his ‘creation’” (he emphasized the word “creation”), “the perceptions of the spectators, listeners, or readers. Fragments: One

“Conscience is a general and a permanent phenomenon. Conscience is the same for all men and conscience is possible only in the absence of ‘buffers.’ From the point of view of understanding the different categories of man we may say that there exists the conscience of a man in whom there are no contradictions. This conscience is not suffering; on the contrary it is JOY of a totally new character which we are unable to understand. But even a momentary awakening of conscience in a man who has thousands of different I’s is bound to involve suffering. And if these moments of conscience become longer and if a man does not fear them but on the contrary co­operates with them and tries to keep and prolong them, an element of very subtle JOY, a foretaste of the future ‘clear consciousness’ will gradually enter into these moments. Fragments: Eight