“Again you speak of something different,”‘ he said. “You speak of errors arising from PERCEPTIONS but I am not speaking of these. Within the limits of given PERCEPTIONS man can err more or err less. As I have said before, man’s chief delusion is his conviction that he can do. All people think that they can do, all people want to do, and the first question all people ask is what they are to do. But actually nobody does anything and nobody can do anything. This is the first thing that must be understood. Everything happens. All that befalls a man, all that is done by him, all that comes from him — all this happens. And it happens in exactly the same way as rain falls as a result of a change in the temperature in the higher regions of the atmosphere or the surrounding clouds, as snow melts under the rays of the sun, as dust rises with the wind. Fragments: One

“I do not call art all that you call art, which is simply mechanical reproduction, imitation of nature or other people, or simply fantasy, or an attempt to be original. Real art is something quite different. Among works of art, especially works of ancient art, you meet with many things you cannot explain and which contain a certain something you do not feel in modern works of art. But as you do not realize what this difference is you very soon forget it and continue to take everything as one kind of art. And yet there is an enormous difference between your art and the art of which I speak. In your art everything is subjective — the artist’s perception of this or that sensation; the forms in which he tries to express his sensations and the perception of these forms by other people. In one and the same phenomenon one artist may feel one thing and another artist quite a different thing. One and the same sunset may evoke a feeling of joy in one artist and sadness in another. Two artists may strive to express exactly the same PERCEPTIONS by entirely different methods, in different forms; or entirely different PERCEPTIONS in the same forms — according to how they were taught, or contrary to it. And the spectators, listeners, or readers will perceive, not what the artist wished to convey or what he felt, but what the forms in which he expresses his sensations will make them feel by association. Everything is subjective and everything is accidental, that is to say, based on accidental associations — the impres­sion of the artist and his ‘creation’” (he emphasized the word “creation”), “the PERCEPTIONS of the spectators, listeners, or readers. Fragments: One

“The difficulty of distinguishing between the functions is increased by the fact that people differ very much in the way they feel their functions. This is what we do not generally understand. We take people to be much more alike than they really are. In reality, however, there exist between them great differences in the forms and methods of their perception. Some perceive chiefly through their mind, others through their feeling, and others through sensation. It is very difficult, almost impossible for men of different categories and of different modes of perception to understand one another, because they call one and the same thing by different names, and they call different things by the same name. Besides this, various other combinations are possible. One man perceives by thoughts and sensations, another by thoughts and feelings, and so on. One or another mode of perception is immediately connected with one or another kind of reaction to external events. The result of this difference in perception and reaction to external events is expressed in the first place by the fact that people do not understand one another and in the second by the fact that they do not understand themselves. Very often a man calls his thoughts or his intellectual PERCEPTIONS his feelings, calls his feelings his thoughts, and his sensations his feelings. This last is the most common. If two people perceive the same thing differently, let us say that one perceives it through feeling and another through sensation — they may argue all their lives and never understand in what consists the difference of their attitude to a given object. Actually, one sees one aspect of it, and the other a different aspect. Fragments: Six

“Man, in the normal state natural to him, is taken as a duality. He consists entirely of dualities or ‘pairs of opposites.’ All man’s sensations, impressions, feelings, thoughts, are divided into positive and negative, useful and harmful, necessary and unnecessary, good and bad, pleasant and unpleasant. The work of centers proceeds under the sign of this division. Thoughts oppose feelings. Moving impulses oppose instinctive craving for quiet. This is the duality in which proceed all the PERCEPTIONS, all the reactions, the whole life of man. Any man who observes himself, however little, can see this duality in himself. Fragments: Fourteen

“Of course there are very many people who consider that the life of humanity is not proceeding in the way in which according to their views it ought to go. And they invent various theories which in their opinion ought to change the whole life of humanity. One invents one theory. Another immediately invents a contradictory theory. And both expect everyone to believe them. And many people indeed do believe either one or the other. Life naturally takes its own course but people do not stop believing in their own or other people’s theories and they believe that it is possible to do something. All these theories are certainly quite fantastic, chiefly because they do not take into account the most important thing, namely, the subordinate part which humanity and organic life play in the world process. Intellectual theories put man in the center of everything; everything exists for him, the sun, the stars, the moon, the earth. They even forget man’s relative size, his nothingness, his transient existence, and other tilings. They assert that a man if he wishes is able to change his whole life, that is, to organize his life on rational principles. And all the time new theories appear evoking in their turn opposing theories; and all these theories and the struggle between them undoubtedly constitute one of the forces which keep humanity in the state in which it is at present. Besides, all these theories for general welfare and general equality are not only unrealizable, but they would be fatal if they were realized. Everything in nature has its aim and its purpose, both the inequality of man and his suffering. To destroy inequality would mean destroying the possibility of evolution. To destroy suffering would mean, first, destroying a whole series of PERCEPTIONS for which man exists, and second, the destruction of the ‘shock,’ that is to say, the force which alone can change the situation. And thus it is with all intellectual theories. Fragments: Fifteen