G. drew another diagram, representing the parallel functions of a man of physical body and a man of four bodies. “In the first case,” said G., “that is, in relation to the functions of a man of physical body only, the automaton depends upon external influences, and the next three functions depend upon the physical body and the external influences it receives. Desires or aversions — ‘I want,’ ‘I don’t want,’ ‘I like,’ ‘I don’t like’ — that is, functions occupying the place of the second body, depend upon accidental SHOCKS and influences. Thinking, which corresponds to the functions of the third body, is an entirely mechanical process. ‘Will’ is absent in ordinary mechanical man, he has desires only; and a greater or lesser permanence of desires and wishes is called a strong or a weak will. Fragments: Two

“If he carries out all these rules while he observes himself, a man will record a whole series of very important aspects of his being. To begin with he will record with unmistakable clearness the fact that his actions, thoughts, feelings, and words are the result of external influences and that nothing comes from himself. He will understand and see that he is in fact an automaton acting under the influences of external stimuli. He will feel his complete mechanicalness. Everything ‘happens,’ he cannot ‘do’ anything. He is a machine controlled by accidental SHOCKS from outside. Each shock calls to the surface one of his I’s. A new shock and that I disappears and a different one takes its place. Another small change in the environment and again there is a new I. A man will begin to under-stand that he has no control of himself whatever, that he does not know what he may say or do the next moment, he will begin to understand that he cannot answer for himself even for the shortest length of time. He will understand that if he remains the same and does nothing unexpected, it is simply because no unexpected outside changes are taking place. He will understand that his actions are entirely controlled by external conditions and he will be convinced that there is nothing permanent in him from which control could come, not a single permanent function, not a single permanent state.” Fragments: Six

“We must now dwell on the idea of the ‘additional SHOCKS’ which make it possible for the lines of forces to reach a projected aim. As I said before, SHOCKS may occur accidentally. Accident is of course a very uncertain thing. But those lines of development of forces which are straightened out by accident, and which man can sometimes see, or suppose, or expect, create in him more than anything else the illusion of straight lines. That is to say, he thinks that straight lines are the rule and broken and interrupted lines the exception. This in its turn creates in him the illusion that it is possible to do; possible to attain a projected aim. In reality a man can do nothing. If by accident his activity gives a result, even though it resembles only in appearance or in name the original aim, a man assures himself and others that he has attained the aim which he set before himself and that anyone else would also be able to attain his aim, and others believe him. In reality this is illusion. A man can win at roulette. But this would be accident. Attaining an aim which one has set before oneself in life or in any particular sphere of human activity is just the same kind of accident. The only difference is that in regard to roulette a man at least knows for certain whether he has lost or won on each separate occasion, that is, on each separate stake. But in the activities of his life, particularly with activities of the kind that many people are concerned in and when years pass between the beginning of something and its result, a man can very easily deceive himself and take the result ‘obtained’ as the result desired, that is, believe that he has won when on the whole he has lost. Fragments: Seven

“In what way can control be attained? “The technical part of this is explained by the law of octaves. Octaves can develop consecutively and continuously in the desired direction if ‘additional SHOCKS’ enter them at the moments necessary, that is, at the moments when vibrations slow down. If ‘additional SHOCKS’ do not enter at the necessary moments octaves change their direction. To entertain hopes of accidental ‘SHOCKS’ coming from somewhere by themselves at the moments necessary is of course out of the question. There remains for a man the choice either of finding a direction for his activities which corresponds to the mechanical line of events of a given moment, in other words of ‘going where the wind blows’ or ‘swimming with the stream,’ even if this contradicts his inner inclinations, convictions, and sympathies, or of reconciling himself to the failure of everything he starts out to do; or he can learn to recognize the moments of the ‘intervals’ in all lines of his activity and learn to create the ‘additional SHOCKS,’ in other words, learn to apply to his own activities the method which cosmic forces make use of in creating ‘additional SHOCKS’ at the moments necessary. Fragments: Seven

“The possibility of artificial, that is, specially created, ‘additional SHOCKS’ gives a practical meaning to the study of the law of octaves and makes this study obligatory and necessary if a man desires to step out of the role of passive spectator of that which is happening to him and around him. Fragments: Seven

“The ‘man-machine’ can do nothing. To him and around him everything happens. In order to do it is necessary to know the law of octaves, to know the moments of the ‘intervals’ and be able to create necessary ‘additional SHOCKS.’ Fragments: Seven

“It is only possible to learn this in a school, that is to say, in a rightly organized school which follows all esoteric traditions. Without the help of a school a man by himself can never understand the law of octaves, the points of the ‘intervals,’ and the order of creating ‘SHOCKS.’ He cannot understand because certain conditions are necessary for this purpose, and these conditions can only be created in a school which is itself created upon these principles. Fragments: Seven

” ‘Buffer’ is a term which requires special explanation. We know what buffers on railway carriages are. They are the contrivances which lessen the shock when carriages or trucks strike one another. If there were no buffers the shock of one carriage against another would be very unpleasant and dangerous. Buffers soften the results of these SHOCKS and render them unnoticeable and imperceptible. Fragments: Eight

“‘Buffers’ are created slowly and gradually. Very many ‘buffers’ are created artificially through ‘education.’ Others are created under the hypnotic influence of all surrounding life. A man is surrounded by people who live, speak, think, and feel by means of ‘buffers.’ Imitating them in their opinions, actions, and words, a man involuntarily creates similar ‘buffers’ in himself. ‘Buffers’ make a man’s life more easy. It is very hard to live without ‘buffers.’ But they keep man from the possibility of inner development because ‘buffers’ are made to lessen SHOCKS and it is only SHOCKS that can lead a man out of the state in which he lives, that is, waken him. ‘Buffers’ lull a man to sleep, give him the agreeable and peaceful sensation that all will be well, that no contradictions exist and that he can sleep in peace. ‘Buffers’ are appliances by means of -which a man can always be in the right. ‘Buffers’ help a man not to feel his conscience. Fragments: Eight

“It must be observed that, although there are six ‘intervals’ in these three octaves, only three of them actually require to be supplemented from outside. The first ‘interval’ between do and si is filled by the will of the Absolute. The second ‘interval’ do-si is filled by the influence of the sun’s mass upon radiations passing through it. And the third ‘interval’ do-si is filled by the action of the earth’s mass upon radiations passing through it. Only the ‘intervals’ between fa and mi have to be filled by ‘additional SHOCKS.’ These ‘additional SHOCKS’ can come either from other octaves which pass across the given point or from parallel octaves which start from higher points. We know nothing about the nature of the ‘shock’ between mi-fa in the first octaoctave Absolute-Sun. But the ‘shock’ in the octave Sun-Earth is organic life on earth, that is, the three notes la, sol, fa of the octave which starts in the sun. The nature of the ‘shock’ between mi and fa in the octave Earth-Moon is unknown to us. Fragments: Nine

“If we now take the work of the human factory as a whole, we shall be able to see at the moments when the production of fine substances is arrested by what means we can increase the productivity of the factory. We see that, under ordinary conditions and working with one mechanical ‘shock’ the factory produces a very small quantity of the fine substances, in fact only si 12. Working with one mechanical and one conscious ‘shock’ the factory now produces a much greater quantity of the fine substances. Working with two conscious ‘SHOCKS’ the factory will produce a quantity of the fine substances such as, in the course of time, will completely change the character of the factory itself. Fragments: Nine

“In order to understand the analogy between man, the human organism, and the universe, let us take the world as we did before in the form of three octaves from the Absolute to the sun, from the sun to the earth, and from the earth to the moon. Each of these three octaves lacks a semitone between fa and mi and in each octave the place of this missing semitone is taken by a certain kind of ‘shock’ which is created artificially at the given point. If we now begin to look for an analogy between the three-story factory and the three octaves of the universe, we ought to realize that the three ‘additional SHOCKS’ in the three octaves of the universe correspond to the three kinds of food entering the human organism. The ‘shock’ in the lower octave corresponds to physical food; this ‘shock’ is do 768 of the cosmic three-story factory. The ‘shock’ in the middle octave corresponds to air. It is do 192 of the cosmic factory. The ‘shock’ in the upper octave corresponds to impressions; it is do 48 of the cosmic factory. In the inner work of this cosmic three-story factory all three kinds of food undergo the same transformation as in the human factory, on the same plan and in accordance with the same laws. A further study of the analogy between man and the universe is possible only after an exact study of the human machine and after the respective ‘places’ of each of the ‘hydrogens’ in our organism has been established exactly. This means that to proceed with any further study we must find the exact purpose of each ‘hydrogen,’ that is to say, each ‘hydrogen’ must be defined chemically, psychologically, physiologically, and anatomically, in other words, its functions, its place in the human organism, and, if possible, the peculiar sensations connected with it must be defined. Fragments: Nine

“Speaking in general, what is necessary to awake a sleeping man? A good shock is necessary. But when a man is fast asleep one shock is not enough. A long period of continual SHOCKS is needed. Consequently there must be somebody to administer these SHOCKS. I have said before that if a man wants to awaken he must hire somebody who will keep on shaking him for a long time. But whom can he hire if everyone is asleep? A man will hire somebody to wake him up but this one also falls asleep. What is the use of such a man? And a man who. can really keep awake will probably refuse to waste his time in waking others up: he may have his own much more important work to do. Fragments: Eleven

I began a series of experiments or exercises, making use of a certain experience in this direction that I had acquired earlier. I carried out a series of short but very intensive fasts. I call them “intensive” because I did not take them at all from the hygienic point of view but tried, on the contrary, to give the strongest possible SHOCKS to the organism. In addition to this I began to “breathe” according to a definite system which, together with fasting, had given me interesting psychological results before; and also “repetition” on the method of the “prayer of the mind” which had helped me very much before to concentrate my attention and to observe myself. And also a series of mental exercises of a rather complicated kind for the concentration of the attention. I do not describe these experiments and exercises in detail because they were, after all, attempts to feel my way, without having exact knowledge of possible results. Fragments: Thirteen

“Strengthening this decision and bringing it constantly and infallibly into all those events where formerly accidental neutralizing ‘SHOCKS’ used to act and give accidental results, gives a permanent line of results in time and is the transformation of trinity into quaternity. The next stage, the transformation of quaternity into quinternity and the construction of the pentagram has not one but many different meanings even in relation to man. And of these is learned, first of all, one, which is the most beyond doubt, relating to the work of centers. Fragments: Fourteen

“And then man becomes the six-pointed star, that is, by becoming locked within a circle of life independent and complete in itself, he becomes isolated from foreign influences or accidental SHOCKS; he embodies in himself the Seal of Solomon. Fragments: Fourteen

“This same process of the harmonious development of man can be examined from the point of view of the law of octaves. The law of octaves gives another system of symbols. In the sense of the law of octaves every completed process is a transition of the note do through a series of successive tones to the do of the next octave. The seven fundamental tones of the octave express the law of seven. The addition to it of the do of the next octave, that is to say, the crowning of the process, gives the eighth step. The seven fundamental tones together with the two ‘intervals’ and ‘additional SHOCKS’ give nine steps. By incorporating in it the do of the next octave we have ten steps. The last, the tenth, step is the end of the preceding and the beginning of the next cycle. In this way the law of octaves and the process of development it expresses, include the numbers 1 to 10. At this point we come to what may be termed the symbolism of numbers. The symbolism of numbers cannot be understood without the law of octaves or without a clear conception of how octaves are expressed in the decimal system and vice versa. Fragments: Fourteen

“The octave possesses seven tones and the eighth is a repetition of the first. Together with the two ‘additional SHOCKS’ which fill the ‘intervals’ mi-fa and si-do, there are nine elements. Fragments: Fourteen

“The triangle 9-3-6, which unites into one whole the three points on the circumference not included in the period, connects together the law of seven and the law of three. The numbers 3-6-9 are not included in the period; two of them, 3 and 6, correspond to the two “intervals’ in the octave, the third is, so to speak, superfluous and at the same time it replaces the fundamental note which does not enter the period. Moreover, any phenomenon which is able to act reciprocally with a phenomenon similar to it sounds as the note do in a corresponding octave. Therefore do can emerge from its circle and enter into orderly correlation with another circle, that is, play that role in another cycle which, in the cycle under consideration, is played by the ‘SHOCKS* filling the ‘intervals’ in the octave. Therefore, here also, by having this possibility do is connected by the triangle 3-6-9 with those places in the octave where the SHOCKS from outside sources occur, where the octave can be penetrated to make connection with what exists outside it. The law of three stands out, so to speak, from the law of seven, the triangle penetrates through the period and these two figures in combination give the inner structure of the octave and its notes. Fragments: Fourteen

that is, in one case x between mi and fa, and in the other between sol and la, where it is not necessary. “The apparent placing of the interval in its wrong place itself shows to those who are able to read the symbol what kind of ‘shock’ is required for the passage of si to do. “In order to understand this, it is essential to recollect what was said about the role of ‘SHOCKS’ in the processes proceeding in man and in the universe. “When we examined the application of the law of octaves to the cosmos then the step ‘sun-earth’ was represented in this way: “In relation to the three octaves of radiation it was pointed out that the passage of do to si, the filling of the interval, takes place within the organism of the sun. It was pointed out in the cosmic octave in relation to the ‘interval’ do-si that this passage is accomplished by the will of the Absolute. The passage fa-mi in the cosmic octave is accomplished mechanically with the help of a special machine which makes it possible for fa, which enters it, to acquire by a series of inner processes the characteristics of sol standing above it, without changing its note, that is, to accumulate, as it were, the inner energy for passing independently into the next note, into mi. Fragments: Fourteen

“Exactly the same relationship is repeated in all completed processes. In examining the processes of nutrition in the human organism and the transformation of the substances taken into the organism, we find in these processes exactly the same ‘intervals’ and ‘SHOCKS.’ Fragments: Fourteen

“Therefore before even thinking of influencing practically the inner processes it is essential to understand the exact mutual relationship of the substances entering the organism, the nature of the possible ‘SHOCKS,’ and the laws governing the transition of notes. These laws are everywhere the same. In studying man we study the cosmos, in studying the cosmos we study man. Fragments: Fourteen

“The cosmic octave ‘Absolute-moon’ has, according to the law of three, been broken into three subordinate octaves. In these three octaves the cosmos is like man; the same ‘three stories,’ the same three SHOCKS. Fragments: Fourteen

This signified that there was no wrong place for a “shock” at all. Point 6 showed the entry of the “shock” in the second octave and the “shock” was the do which began the third octave. All three octaves reached Hi 2. In one it was si, in the second sol, and in the third mi. The second octave which ended at 12 in the enneagram ought to have gone on further. But si 12 and mi 12 required an “additional shock.” I thought a great deal about the nature of these “SHOCKS” at that time but I will speak of them later. Fragments: Eighteen