What interested me in this talk was that G. spoke of the planets and the moon as living beings, having definite ages, a definite period of life and possibilities of development and TRANSITION to other planes of being. From what he said it appeared that the moon was not a “dead planet,” as is usually accepted, but, on the contrary, a “planet in birth”; a planet at the very initial stages of its development which had not yet reached “the degree of intelligence possessed by the earth,” as he expressed it. Fragments: One

I ought to say at this point that the “three octaves of radiations” and the “table of hydrogens” derived from them were a stumbling block to us for a long time. The fundamental and the most essential principle of the TRANSITION of the triads and the structure of matter I understood only later, and I will speak of it in its proper place. Fragments: Nine

“At the given place in the organism “where mi 192 ought, apparently, to come to a stop there enters the ‘second food’ — air, in the form of do 192, that is, mi, re, do of the second cosmic octave of radiations. The note do possesses all the necessary semitones, that is, all the energy necessary for the TRANSITION to the next note, and it gives as it were a part of its energy to the note mi which has the same density as itself. The energy of do gives mi 192 force enough, while uniting with ‘carbon’ 48 already in the organism, to pass into ‘nitrogen’ 96. ‘Nitrogen’ 96 will be the note fa. Fragments: Nine

“Re 96 passes into mi 48 with the help of ‘carbon’ 24 and with this the development of the second octave comes to a stop. For the TRANSITION of mi into fa, an ‘additional shock’ is necessary, but at this point nature has not prepared any ‘additional shock’ and the second octave, that is, the air octave, cannot develop further and in the ordinary conditions of life it does not develop further. Fragments: Nine

“It has been explained before that in ordinary conditions of life we do not remember ourselves; we do not remember, that is, we do not feel ourselves, are not aware of ourselves at the moment of a perception, of an emotion, of a thought or of an action. If a man understands this and tries to remember himself, every impression he receives while remembering himself will, so to speak, be doubled. In an ordinary psychic state I simply look at a street. But if I remember myself, I do not simply look at the street; I feel that I am looking, as though saying to myself: ‘I am looking.’ Instead of one impression of the street there are two impressions, one of the street and another of myself looking at it. This second impression, produced by the fact of my remembering myself, is the ‘additional shock.’ Moreover, it very often happens that the additional sensation connected with self-remembering brings with it an element of emotion, that is, the work of the machine attracts a certain amount of ‘carbon’ 12 to the place in question. Efforts to remember oneself, observation of oneself at the moment of receiving an impression, observation of one’s impressions at the moment of receiving them, registering, so to speak, the reception of impressions and the simultaneous defining of the impressions received, all this taken together doubles the intensity of the impressions and carries do 48 to re 24. At the same time the effort connected with the TRANSITION of one note to another and the passage of 48 itself to 24 enables do 48 of the third octave to come into contact with mi 48 of the second octave and to give this note the requisite amount of energy necessary for the TRANSITION of mi to fa. In this way the ‘shock’ given to do 48 extends also to mi 48 and enables the second octave to develop. Fragments: Nine

“The third stage in the work of the human organism begins when man creates in himself a conscious second volitional ‘shock’ at the point mi 12, when the transformation or transmutation of these ‘hydrogens’ into higher ‘hydrogens’ begins in him. The second stage and the beginning of the third stage refer to the life and functions of man number four. A fairly considerable period of. transmutation and crystallization is needed for the TRANSITION of man number four to the level of man number five. Fragments: Nine

“All that has been said before about work on oneself, about the formation of inner unity and of the TRANSITION from the level of man number one, number two, and number three to the level of man number four and further, pursues one and the same aim. What is called according to one terminology the ‘astral body,’ is called in another terminology the ‘higher emotional center,’ although the difference here does not lie in the terminology alone. These are, to speak more correctly, different aspects of the next stage of man’s evolution. It can be said that the ‘astral body’ is necessary for the complete and proper functioning of the ‘higher emotional center’ in unison with the lower. Or it can be said that the ‘higher emotional center’ is necessary for the work of the ‘astral body.’ Fragments: Nine

G.’s lecture on cosmoses and the talk following it greatly aroused my curiosity. This was a direct TRANSITION from the “three-dimensional universe” with which we had begun, to the problems which I had elaborated in the New Model of the Universe, that is, to the problems of space and time and higher dimensions, on which I had been working for several years. Fragments: Ten

“The TRANSITION of matter si 12 into emanations and the gradual saturation of the whole organism by it is what alchemy calls ‘transmutation’ or transformation. It is first this transformation of the physical body into the astral that alchemy called the transformation of the ‘coarse’ into the ‘fine’ or the transformation of base metals into gold. Fragments: Twelve

Trying to draw out as much as possible the beginning of the “diagrams,” as we called a part of G.’s system, dealing with general questions and laws, I began to convey the general impressions of my journey. And all the time I was saying one thing, in my head another thing was running: How shall I begin — what does the TRANSITION 1, 2, 3 into 1, 3, 2 mean? Can an example of such a TRANSITION be found in the phenomena we know? I felt that I must find something now, immediately, because unless I found something myself first I could say nothing to the others. Fragments: Thirteen

I felt so much in this word that for some time I did not hear myself what I was saying. But after I had collected my thoughts I saw that they were listening to me and that I had explained everything I had not understood myself on the way to the meeting. This gave me an extraordinarily strong and clear sensation as though I had discovered for myself new possibilities, a new method of perception and understanding by giving explanations to other people. And under the impetus of this sensation, as soon as I had said that examples or analogies of the TRANSITION of the forces 1, 2, 3 and 1, 3, 2 must be found in the real world, I at once saw these examples both in the human organism and in the astronomical world and in mechanics in the movements of waves. Fragments: Thirteen

“This same process of the harmonious development of man can be examined from the point of view of the law of octaves. The law of octaves gives another system of symbols. In the sense of the law of octaves every completed process is a TRANSITION of the note do through a series of successive tones to the do of the next octave. The seven fundamental tones of the octave express the law of seven. The addition to it of the do of the next octave, that is to say, the crowning of the process, gives the eighth step. The seven fundamental tones together with the two ‘intervals’ and ‘additional shocks’ give nine steps. By incorporating in it the do of the next octave we have ten steps. The last, the tenth, step is the end of the preceding and the beginning of the next cycle. In this way the law of octaves and the process of development it expresses, include the numbers 1 to 10. At this point we come to what may be termed the symbolism of numbers. The symbolism of numbers cannot be understood without the law of octaves or without a clear conception of how octaves are expressed in the decimal system and vice versa. Fragments: Fourteen

“Therefore before even thinking of influencing practically the inner processes it is essential to understand the exact mutual relationship of the substances entering the organism, the nature of the possible ‘shocks,’ and the laws governing the TRANSITION of notes. These laws are everywhere the same. In studying man we study the cosmos, in studying the cosmos we study man. Fragments: Fourteen

“The process of the TRANSITION fa-mi can be represented in the most schematic way thus: the cosmic fa enters this machine like the food of the lower story and begins its cycle of changes. Therefore in the beginning it sounds in the machine as do. The substance sol of the cosmic octave serves as the substance which enters the middle story like the air in breathing, which helps the note fa inside the machine to pass into the note mi. This sol on entering the machine also sounds as do. The matter which has now been obtained is joined in the upper story by the substance of the cosmic la, which enters the upper story of the machine, also as do. Fragments: Fourteen

“Transitions from one level of being to another were marked by ceremonies of presentation of a special kind, that is, initiation. But a change of being cannot be brought about by any rites. Rites can only mark an accomplished TRANSITION. And it is only in pseudo-esoteric systems in which there is nothing else except these rites, that they begin to attribute to the rites an independent meaning. It is supposed that a rite, in being transformed into a sacrament, transmits or communicates certain forces to the initiate. This again relates to the psychology of an imitation way. There is not, nor can there be, any outward initiation. In reality only self-initiation, self-presentation exist. Systems and schools can indicate methods and ways, but no system or school whatever can do for a man the work that he must do himself. Inner growth, a change of being, depend entirely upon the work which a man must do on himself.” Fragments: Fifteen

“The character of the movements and postures in every epoch, in every race, and in every class is indissolubly connected with definite forms of thinking and feeling. A man is unable to change the form of his thinking or his feeling until he has changed his repertory of postures and movements. The forms of thinking and feeling can be called the postures and movements of thinking and feeling. Every man has a definite number of thinking and feeling postures and movements. Moreover moving, thinking, and feeling postures are connected with one another in man and he can never move out of his repertory of thinking and feeling postures unless he changes his moving postures. An analysis of man’s thoughts and feelings and a study of his moving functions, arranged in a certain way, show that every one of our movements, voluntary or involuntary, is an unconscious TRANSITION from one posture to another, both equally mechanical. Fragments: Seventeen

“Let us try to follow what occurs. A man is walking, or sitting, or working. At that moment he hears a signal. A movement that has begun is interrupted by this sudden signal or command to stop. His body becomes immovable and arrested in the midst of a TRANSITION from one posture to another, in a position in which he never stays in ordinary life. Feeling himself in this state, that is, in an unaccustomed posture, a man involuntarily looks at himself from new points of view, sees and observes himself in a new way. In this unaccustomed posture he is able to think in a new way, feel in a new way, know himself in a new way. In this way the circle of old automatism is broken. The body tries in vain to adopt an ordinary comfortable posture. But the man’s will, brought into action by the will of the teacher, prevents it The struggle goes on not for life but till the death. But in this case will can conquer. This exercise taken together with all that has been said is an exercise for self-remembering. A man must remember himself so as not to miss the signal; he must remember himself so as not to take the most comfortable posture at the first moment; he must remember himself in order to watch the tension of the muscles in different parts of the body, the direction in which he is looking, the facial expression, and so on; he must remember himself in order to overcome very considerable pain sometimes from unaccustomed positions of the legs, arms, and back, so as not to be afraid of falling or dropping something heavy on his foot. It is enough to forget oneself for a single moment and the body will adopt, by itself and almost un-noticeably, a more comfortable position, it will transfer the weight from one foot to another, will slacken certain muscles, and so on. This exer-cise is a simultaneous exercise for the will, the attention, the thoughts, the feelings, and for moving center. Fragments: Seventeen

At all events this experiment showed me with accuracy that a given exercise could be transferred to the moving center, that is, that it was possible to make the moving center work in a new way. But at the same time I was convinced that the condition for this TRANSITION was extreme fatigue. A man begins any exercise with his mind; only when the last stage of fatigue is reached can the control pass to the moving center. This explained what G. had said about “super-efforts” and made many of his later requirements intelligible. Fragments: Seventeen

“The TRANSITION of breathing from the control of the formatory apparatus into the control of the moving center can never be attained by amateurs. For this TRANSITION to take place the organism must be brought to the last stage of intensity, but a man himself can never do this. Fragments: Eighteen

“Permanent truth and permanent falsehood can exist only for a permanent man. If a man himself continually changes, then for him truth and falsehood will also continually change. And if people are all in different states at every given moment, their conceptions of truth must be as varied as their conceptions of good. A man never notices how he begins to regard as true what yesterday he considered as false and vice versa. He does not notice these TRANSITIONs just as he does not notice the TRANSITIONs of his own I’s one into another. Fragments: Eight

The idea was that, beginning with the first words, the liturgy so to speak goes through the process of creation, recording all its stages and TRANSITIONs. What particularly astonished me in G.’s explanations was the extent to which so much has been preserved in its pure form and how little we understand of all this. His explanations differed very greatly from the usual theological and even from mystical interpretations. And the principal difference was that he did away with a great many allegories. I mean to say that it became obvious from his explanations that we take many things for allegories in which there is no allegory whatever and which ought to be understood much more simply and psychologically. What he said before about the Last Supper serves as a good example of this. Fragments: Fifteen